World s first cinema

Worlds First Cinema

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Перевод песни Cold sets in (World’s First Cinema)

Cold sets in

Наступают холода

How could I love you better if I barely love myself?
It’s like giving my hands to hold as I’m crawling out of hell
And I know this life is
Complicated, I could fake it
If I tried to lie
But you’d catch me every time

I hate it when the cold sets in
But I love the way it draws us
Closer than we’ve ever been
Holding on for warmth
And I barely felt the spark returning
Before it left again
I hate it when the story ends
But I love to start again

How many ways can someone bend before they’ve broken?
Oh, I can feel cracks in the face I wear from the words you’ve spoken
And I know this time is
The very last that I can ask you
Turn yourself around
And wander back to me

So I squeeze my fist and I bite my tongue
And I taste that bitter truth

I hate it when the cold sets in
But I love the way it draws us
Closer than we’ve ever been
Holding on for warmth
And I barely felt the spark returning
Before it left again
I hate it when the story ends
But I love to start again

I hate it when the cold sets in
But I love the way it draws us
Closer than we’ve ever been
Holding on for warmth
And I barely felt the spark returning
Before it left again
I hate it when the story ends
But I love to start again

Как я могу любить тебя сильнее, если я себя почти не люблю?
Будто я подаю тебе руку, карабкаясь из Ада.
И я знаю, жизнь —
Сложная штука, я мог бы притвориться,
Но если бы я попробовал солгать,
Ты бы раскусила меня.

Ненавижу, когда наступают холода,
Но люблю, как с холодами мы становимся
Ближе, чем когда-либо.
Держимся вместе, чтобы согреться,
И я едва чувствую, как искра разгорается вновь,
Прежде чем снова угаснуть.
Ненавижу, когда истории заканчиваются,
Но люблю, когда начинаются новые.

Как долго мы можем держаться, пока не сломаемся?
Я чувствую, как распадаюсь на части от сказанных тобой слов.
И я знаю, на этот раз
Последнее, о чем я могу тебя попросить, —
Это развернуться
И найти путь ко мне.

Поэтому я сжимаю кулак, и прикусываю язык,
И пробую на вкус эту горькую правду.

Ненавижу, когда наступают холода,
Но люблю, как с холодами мы становимся
Ближе, чем когда-либо.
Держимся вместе, чтобы согреться,
И я едва чувствую, как искра разгорается вновь,
Прежде чем снова угаснуть.
Ненавижу, когда истории заканчиваются,
Но люблю, когда начинаются новые.

Ненавижу, когда наступают холода,
Но люблю, как с холодами мы становимся
Ближе, чем когда-либо.
Держимся вместе, чтобы согреться,
И я едва чувствую, как искра разгорается вновь,
Прежде чем снова угаснуть
Ненавижу, когда истории заканчиваются,
Но люблю, когда начинаются новые.

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World S First Cinema Red Run Cold

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Текст песни World’s First Cinema — Young Beast

Перевод песни

Young beast
Crawling back on your knees
Caught a taste of the finer things
And you’re praying your soul to keep

Hallelujah
I can smell the
Kill on you, ya

Tell me young beast
Oh blood is in the air
Tonight you feast, my darling
Wolf among the sheep

Keep ’em running
Are you really getting
What you wanted

Tell me young beast
Tell me young beast

Take heed
Looking for a release
You’ll always get what you wanted
But it’ll never be what you need

Hallelujah
I can taste the
Kill on you, ya

Oh you’re running faster
Than they can scream

Oh won’t you tell me
Young beast

Tell me young beast

Young beast
Sharpening your teeth
Young beast
Take your fill of the feast

Young beast
Sharpening your teeth
Young beast
Take your fill of the feast

Tell me young beast
Oh blood is in the air
Tonight you feast, my darling
Wolf among the sheep

Keep ’em running
Are you really getting
What you wanted

Tell me young beast

Молодой зверь
Ползти обратно на колени
Поймал вкус лучших вещей
И ты молишь свою душу, чтобы сохранить

Аллилуйя
я чувствую запах
Убей тебя, я

Скажи мне, молодой зверь
О кровь в воздухе
Сегодня ты пируешь, моя дорогая
Волк среди овец

Держите их в рабочем состоянии
ты действительно получаешь
Что ты хотел

Скажи мне, молодой зверь
Скажи мне, молодой зверь

Обратите внимание
Ищу релиз
Вы всегда получите то, что хотели
Но это никогда не будет тем, что вам нужно

Аллилуйя
я могу попробовать
Убей тебя, я

О, ты бежишь быстрее
Чем они могут кричать

О, ты не скажешь мне
Молодой зверь

Скажи мне, молодой зверь

Молодой зверь
Заточка зубов
Молодой зверь
Наслаждайтесь праздником

Молодой зверь
Заточка зубов
Молодой зверь
Наслаждайтесь праздником

Скажи мне, молодой зверь
О кровь в воздухе
Сегодня ты пируешь, моя дорогая
Волк среди овец

Держите их в рабочем состоянии
ты действительно получаешь
Что ты хотел

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Для вашего поискового запроса Young Beast World S First Cinema мы нашли 50 песен, соответствующие вашему запросу. Теперь мы рекомендуем загрузить первый результат Young Beast который загружен World S First Cinema Topic размером 3.97 MB, длительностью 3 мин и 1 сек и битрейтом 192 Kbps.

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Young Beast World S First Cinema

World S First Cinema Cold Sets In Минус

Арбенина И Не Забудь Поздравить С Днем Рождения Меня

Kat Kitty Kat Kat Song Speed Up

Недры Горячее Тело

Brawl Stars Darryl Voice Acting

Speedrun Minecraft Pocket Edition World Record Спидран В Майнкрафт Пе

Куда Ты Тянешь Свои Руки Speed Up

Catherine Manoukian Sonata No 1 In G Major Op 78 Regenlied Iii

Ugly To Pretty Love Story Part 8

Группа Asea Sool Облака Над Нами Из К Ф Новогодний Рейс

Twenty One Pilots Hometown Remix

Signs Of Life 2019 Remix

Allah In Sevmediği Yatış Şekli Hangisidir Hadis I Şerif

Daddy Daddy Daddy Daddy Tik Tok

The Anthem Of The Russian Federation In English Гимн Российской

Улётный Русский Deep House 2022

Алёна Швец Две Девочки Slowed N Reverb

Ёлка Всё Зависит От Нас

Don Toliver After Party Lyrics Okay I Pull Up Hop Out At The After Party

Staplegun Bin Bonkers

World Is Spinning X Rich Boy Tiktok Trend Compilation Latest Video S

Sifu 08 Twin Villains Howie Lee Soundtrack

Baranacle Boi Dont Dwell Ringtone Siro Inspired By Inshot Musiic Sub For More Content

Клип Блум И Валтор Под Песню Ангелы

Yulduz Usmonova Biyo Biyo Юлдуз Усмонова Биё Биё

My Singing Monsters Tribal Island Full Song 3 6

Les Liaisons Dangereuses Aka Dangerous Liaisons 2022 Soundtrack Bad Broz John Bose

Гебали Худоберди 2021 Нав Созен

Speed Song Ssshhhiiittt Дворы

Aarne Bushido Zho Anikv Тесно Sped Up

Rival Fairlane Philip Strand Oblivion Monstercat Official Music Video

World`s First Cinema Can`t Feel Anything

Breathe that smoke
It clouds my thought
Once darkness comes again
We’re just footsteps following the storm

You don’t know me well
But you’ve loved before
You’ll love again tonight
When you breathe me back to life again

So in love, but I can’t feel anything at all (oh-oh)
Sweet drugs got me higher than I’ve ever been before (oh-oh)
Like me, my skin’s electrical
Please rush, my blood is running cold
In love but I can’t feel anything at all

Taste your smoke
It burns my lungs
Once darkness comes again
Just feel us drowning in the storm

I don’t know you well
But I’ve loved before
And I’ll love again tonight
When I breathe you back to life again

So in love, but I can’t feel anything at all (oh-oh)
Sweet drugs got me higher than I’ve ever been before (oh-oh)
Like me, my skin’s electrical
Please rush, my blood is running cold
In love but I can’t feel anything at all (oh-oh)

World`s First Cinema The Woods

There`s something in the woods, I swear it
I`m walking like a blind man through the dark
Every other shadow`s watching
Looking for the next unlucky heart
There`s something in the trees, I fear it
Stalking me with two unholy sparks
Counting every step I`ve taken
Trying to find my way back to the start
And I can feel the hungry staring
I can hear the whispers on the wind
Waiting for my feet to fail me
Falling again

Daylight, can you hear me?
I`ve never been good at begging
This time you can see me
I`m down on my knees, I`m praying
I`m lost out in the dark
Daylight, if you hear me
I`m down on my knees, I`m praying

Whispers in the woods, I hear them
Listen as the old trees speak in tongues
Never let them catch you sleeping
Show them that the old you`s dead and gone
Careful of tainted waters
Careful of the witches` poison well
Careful of the truth red-rider
Tragic when it hurts more than it helps

Daylight, can you hear me?
I`ve never been good at begging
This time you can see me
I`m down on my knees, I`m praying
I`m lost out in the dark
Daylight, if you hear me
I`m down on my knees, I`m praying

There`s something in the woods, I swear it
There`s something in the woods, I swear it
There`s something in the woods, I swear it
There`s something in the woods, I swear it

These burdens we`ll bury
Down deep in the cold
Too painful to carry
Too heavy to hold
Daylight, if you hear me
I`ve never been good at begging
This time you can see me
I`m down on my knees, I`m praying

Daylight, can you hear me?
I`ve never been good at begging
This time you can see me
I`m down on my knees, I`m praying
I`m lost out in the dark
Daylight, if you hear me
I`m down on my knees, I`m praying

There`s something in the woods, I swear it
There`s something in the woods, I swear it

One World Cinema

“The Quiet One”

The World Premiere of “The Quiet One” was held on 5/2/2019 at the world-renowned Tribeca Film Festival, and NOW, the film will open on June 21, 2019 on Sundance Selects, Video On Demand.

You have heard of Mick Jagger, Keith Richards, Ronnie Wood, Charlie Watts, and most likely even Brian Jones, however, this film, directed by Oliver Murray, is about “a man of few words who came from a working class background,” former founding member of “The Rolling Stones,” the bass player, Bill Wyman. Wyman has kept a daily journal since he was young (post WWII), has published seven books, taken thousands of photographs, and shot hours of unseen film footage. “The Quiet One” takes a behind the scenes look at his life, relationships and world tours utilizing the unseen film archives from his personal collection. Bill discusses the musicians who helped influence him escape a bleak post war London, and turn him into the humble rock legend who has toured with the Rolling Stones from 1962 until 1993. He owes a debt of gratitude to Chuck Berry, Bo Diddley, Muddy Waters, Howlin’ Wolf and Ray Charles. Must see. It is very moving.

“House of Hummingbird”

-Matija Strnsia is the Berlin-based composer behind House of Hummingbird.

“Wild Rose”

Cute movie about a girl from Glasgow, Scotland who has to make amends for her past and present before things can go right in her future. Rose-Lynn is obsessed with country music, and is dreaming of getting to Nashville, TN to “make it” as a country singer. Little does she realize, that she is sitting on one of the greatest unwritten country songs to date, her own life story. Fresh out of prison, she references the late, great, Johnny Cash, and how, he too, spent time in jail. Throughout the course of the film, it is explained why she ‘did time’, and demonstrates how some of the locals will not let her forget her mistakes, while others are trying to help her succeed. With two kids at home, who she neglects for her singing career, Rose-Lynn’s mother is trying to get her to wake up and see how she is behaving with the hopes that she will grow up and act more responsibly. Rose-Lynn’s own conscious gets the best of her as the film takes the viewer in a couple of directions, where you really aren’t exactly sure what the outcome will be.

“Inna De Yard” Movie about Reggae

A musical journey with Roots, Rock, and Reggae.

Reggae music was recently added to the list of international cultural treasures by Unesco.

Spend some time on this musical reunion with Rastafarian reggae legends, Ken Boothe, Winston McAnuff, Kiddus I, Jah9, Juddy Mowatt, and Cedric Myton (Congos), in their backyard, located in the panoramic green hills high above Kingston, Jamaica. Hang out with these veterans and novices, as they record an acoustic album, jam on brass instruments, accordion, acoustic guitar, and piano, prepare for a world tour, listen to vinyl records and smoke some ganja. From a variety of backgrounds (children of jewellery makers, fisherman, and descendants of slaves), many of them started singing in church at an early age. Although reggae music often has a positive vibe to it, the musicians talk about the history of Jamaica, poverty, religion, dishonest record labels, political unrest, and social injustices.

Album: “Inna De Yard” came out on April 12, 2019.

Tour: “Inna De Yard” will tour Germany, the Netherlands, Switzerland, Belgium, and Denmark this Summer 2019.

Movie: “Inna De Yard” in theaters on July 12, 2019.

Tribeca Film Festival screenings:

Wednesday, May 1 at 4:00 PM

Village East Cinema – Theater 5
Director Peter Webber in-person!

Friday, May 3 at 5:00 PM

Regal Cinemas Battery Park 11 – Theater 6

Directed by Peter Webber (The Girl with a Pearl Earring)

“Woodstock: Three Days That Defined A Generation”

Woodstock: Three Days That Defined A Generation” is less about the actual concert performances from the classic rock era musicians, and more about what is was like to put the festival together, be a musician playing at the festival, and attend the festival as a peace and love searching concert-goer. The film has a few more screenings at The Tribeca Film Festival 2019, will then play at the Quad Cinema in NYC starting on May 24, 2019, at Landmark’s Nuart Cinema on June 7, 2019, and will also air on PBS/WGBH in August 2019 (for the 50th Anniversary).

Transport yourself back to the late 60’s when four businessmen had the idea of putting together three days of politically conscious music on a farm in Bethel, NY. The planning included where to hold the gathering, figuring out which amenities, and how many of each to obtain, putting up fences/gates, stage design, performers, and ticket sales. The concert organizers were uncertain of how many people would actually show up, as many of the music lovers didn’t plan ahead, and just made the journey from all around the country just to listen to music and meet other like minded people searching for answers to questions like, “Why was the VietNam war still going on?”, the assassinations of Robert Kennedy and MLK (1968), and civil and social injustices.

The film really makes you feel as if you were in the audience and actually attending the festival, detailing the times the musicians went up on stage, the musicians that improvised for the sake of scheduling, which performers were scheduled for which dates and times, when people walked around the grounds and experienced the arts and crafts and other visitors and performers, the drugs that were taken, the times the rains came, the slip and slides in the mud, how they communicated with one another and the outside world, went skinny dipping, gave birth, first aid tents, make shift tents/hippy buses, slept, searched for food, and finally went home, unscathed.

Tue. 4/30, 6:45 p.m., Village East Cinema 4

Wed. 5/1, 3:15 p.m., Village East Cinema 6Sat.

5/4, 2:30 p.m., Regal Battery Park 5

“The Apollo”

The 18th Annual Tribeca Film Festival opened up with a screening of “The Apollo,” about the legendary theater, which has been providing over 80 years of Black Entertainment, located on 125th Street between Frederick Douglass and Adam Clayton Powell, Jr. Boulevards in NYC, NY. The film captures the 1,506 seat venue, which became ‘The Apollo’ in 1938, with honesty and pride. Amateur Night at The Apollo, founded by Ralph Cooper, is held every Wednesday evening, and offers unknown African American artists a chance to perform with the hopes of catching their big break.

The film also provides interesting facts you may or may have not have known about the following singers and performers:

Ella Fitzgerald, Duke Ellington, Billy Holiday, Dinah Washington, Eartha Kitt, Etta James, Martha and the Vandellas, The Four Tops, The Temptations, The Supremes, Little Stevie Wonder, Smokey Robinson, Gladys Knight, Aretha Franklin, Ray Charles, The Isley Brothers, James Brown, Pharrell Williams, and Common,

Comedians: Redd Foxx, Richard Pryor, Chris Rock and Dave Chappelle,

Social unrest and racial discrimination: Trayvon Martin, Jamar Clark, and Eric Garner,

Politicians and activists: Malcolm X, Charles Rangel, and Barack Obama,

Businessmen: Bobby Schiffman, Percy Sutton, and the financial up’s and downs the theater has seen over the years,

Tribute concerts to those entertainers who have passed away: James Brown (2006), Michael Jackson (2009), Whitney Houston (2012), Prince (2016), and Aretha Franklin (2018).

“Maiden”

Opens June 28, 2019 in NY/LA. Sony Picture Classics

One of my favorite films at Tribeca 2019.

The Whitbread Around the World Sailing Race (WRTWR) began in 1973, and was originally sponsored by a brewery in Britain that grew into a hotel chain. The race is held every three years, and is now known as the Volvo Ocean Race.

When Tracy Edwards was 10 years old, her father died from a cardiac arrest. When she was 16, she found herself escaping an alcoholic stepfather, dropping out of school, and heading to the Greek Islands. Leaving everything behind, she found freedom in sailing. Although the all male crew was hesitant to hire a female, she landed a job as a cook on board a yacht that was competing in the Whitbread Challenge. When she managed to get away from cooking and cleaning, she learned as much as she could above deck.

Wanting to sail around the world again, Tracy was determined to form the first all female sailing crew and compete in the 1989/90 Whitbread Race with 9 women. Her idea was met by many obstacles, however. Firstly, funding the adventure was looking bleak as no one would take the women seriously thinking women did not have the stamina that was required. Secondly, personality conflicts among the female crew were a growing concern, and lastly, repairing their extremely dilapidated boat, seemed hopeless.

Over 3 months at sea, 30 foot waves, and the dangerous Southern Ocean crossing, the film takes you through each leg of the race:

1. Southampton, England to Punta del Este, Uruguay 5,938 miles

2. Punta del Este, Uruguay to Fremantle, Australia 7,260 miles

3. Fremantle, Australia to Auckland, New Zealand 3,272 miles

4. Auckland, New Zealand to Punta del Este, Uruguay 6,255 miles

5. Punta del Este, Uruguay to Fort Lauderdale, Florida 5,475 miles

6. Fort Lauderdale, Florida to Southampton, England 3, 818 miles

Will they persevere?

Wed May 1, 2019 6:00pm VEC-01 Village East Cinema

Thurs May 2, 2019 6:00pm VEC-06 Village East Cinema

Saturday May 4, 2019 1:30pm RGL-03 Regal Cinemas Battery Park 11

World S First Cinema Red Run Cold Lyric Video

A Place Called Home

World S First Cinema Red Run Cold Twilight Edition

World S First Cinema Can T Feel Anything Lyric Video

Punctual Castles Feat World S First Cinema

World S First Cinema Cold Sets In Lyric Video

World S First Cinema Youth On Fire Lyric Video

World S First Cinema Cold Sets In Acoustic Session

World S First Cinema Supernatural РЕАКЦИЯ

World S First Cinema The Woods Lyric Video

Punctual Feat World S First Cinema Castles

The First Movie Ever Made In History 1896 By The Lumière Brothers

World S First Cinema Make Me A Monster РЕАКЦИЯ

World S First Cinema Live Supernatural

World S First Cinema Red Run Cold Jan Ravnik

Youth On Fire World S First Cinema Legendado PTBR

World S First Cinema Make Me A Monster Official Music Video

World S First Cinema Perfect Hell The Majestic Ventura Theater 1 23 2022

SLUMBERJACK World S First Cinema And I

CS GO Music KIT World S First Cinema Rituals

Make Me A Monster World S First Cinema Sheet Music

Guaranteed Irish Worlds First CInema

World S First Cinema Nightcore The Woods

World First Movie Roundhay Garden Scene 1888

Worlds First Cinema Supernatural Bass Cover

Can T Feel Anything World S First Cinema Slowed

Oldest Video Ever Recorded 1874 History

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Worlds First Cinema Boise Idaho 2021

World S First Cinema The Woods Live At Knitting Factory In Boisi ID Drum Cam Derek Vautrinot

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War Of The Worlds 2005 REFERENCE

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269.53 KB 00:00:12 275K

Suswagatham Telugu HD Full Movie 1998 Pawan Kalyan Devayani Bhimaneni ETV Cinema

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Cold sets in

How could I love you better if I barely love myself?
It’s like giving my hands to hold as I’m crawling out of hell
And I know this life is
Complicated, I could fake it
If I tried to lie
But you’d catch me every time

I hate it when the cold sets in
But I love the way it draws us
Closer than we’ve ever been
Holding on for warmth
And I barely felt the spark returning
Before it left again
I hate it when the story ends
But I love to start again

How many ways can someone bend before they’ve broken?
Oh, I can feel cracks in the face I wear from the words you’ve spoken
And I know this time is
The very last that I can ask you
Turn yourself around
And wander back to me

So I squeeze my fist and I bite my tongue
And I taste that bitter truth

I hate it when the cold sets in
But I love the way it draws us
Closer than we’ve ever been
Holding on for warmth
And I barely felt the spark returning
Before it left again
I hate it when the story ends
But I love to start again

I hate it when the cold sets in
But I love the way it draws us
Closer than we’ve ever been
Holding on for warmth
And I barely felt the spark returning
Before it left again
I hate it when the story ends
But I love to start again

Наступают холода

Как я могу любить тебя сильнее, если я себя почти не люблю?
Будто я подаю тебе руку, карабкаясь из Ада.
И я знаю, жизнь —
Сложная штука, я мог бы притвориться,
Но если бы я попробовал солгать,
Ты бы раскусила меня.

Ненавижу, когда наступают холода,
Но люблю, как с холодами мы становимся
Ближе, чем когда-либо.
Держимся вместе, чтобы согреться,
И я едва чувствую, как искра разгорается вновь,
Прежде чем снова угаснуть.
Ненавижу, когда истории заканчиваются,
Но люблю, когда начинаются новые.

Как долго мы можем держаться, пока не сломаемся?
Я чувствую, как распадаюсь на части от сказанных тобой слов.
И я знаю, на этот раз
Последнее, о чем я могу тебя попросить, —
Это развернуться
И найти путь ко мне.

Поэтому я сжимаю кулак, и прикусываю язык,
И пробую на вкус эту горькую правду.

Ненавижу, когда наступают холода,
Но люблю, как с холодами мы становимся
Ближе, чем когда-либо.
Держимся вместе, чтобы согреться,
И я едва чувствую, как искра разгорается вновь,
Прежде чем снова угаснуть.
Ненавижу, когда истории заканчиваются,
Но люблю, когда начинаются новые.

Ненавижу, когда наступают холода,
Но люблю, как с холодами мы становимся
Ближе, чем когда-либо.
Держимся вместе, чтобы согреться,
И я едва чувствую, как искра разгорается вновь,
Прежде чем снова угаснуть
Ненавижу, когда истории заканчиваются,
Но люблю, когда начинаются новые.

Breathe that smoke
It clouds my thought
Once darkness comes again
We’re just footsteps following the storm

You don’t know me well
But you’ve loved before
You’ll love again tonight
When you breathe me back to life again

So in love, but I can’t feel anything at all (oh-oh)
Sweet drugs got me higher than I’ve ever been before (oh-oh)
Like me, my skin’s electrical
Please rush, my blood is running cold
In love but I can’t feel anything at all

Taste your smoke
It burns my lungs
Once darkness comes again
Just feel us drowning in the storm

I don’t know you well
But I’ve loved before
And I’ll love again tonight
When I breathe you back to life again

So in love, but I can’t feel anything at all (oh-oh)
Sweet drugs got me higher than I’ve ever been before (oh-oh)
Like me, my skin’s electrical
Please rush, my blood is running cold
In love but I can’t feel anything at all (oh-oh)

VXON The Beast Karaoke Instrumental Vocal Removed

Табор уходит в небо 4К драма реж Эмиль Лотяну 1976 г

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The World S Best Parkour And Freerunning

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FREE Sad Type Beat Dead Inside Emotional Rap Piano Instrumental 2022

02:30 3.29 MB 888.5K

Last Words Storytelling Trap Beat Free Rap Hip Hop Instrumental 2019 Luxray Instrumentals

04:18 5.66 MB 1.7M

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04:31 5.94 MB 1.2B

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THE CARTERS APESHIT Official Video

06:05 8.01 MB 266.3M

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04:03 5.33 MB 105.7M

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03:05 4.06 MB 490.5K

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03:11 4.19 MB 141.9M

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05:23 7.08 MB 7.3M

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04:46 6.27 MB 230.8M

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03:59 5.24 MB 1.2M

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02:01:06 159.38 MB 50.9K

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03:36 4.74 MB 703.2M

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03:22 4.43 MB 8.6M

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05:37 7.39 MB 401.5M

INXS Don T Change

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03:45 4.94 MB 25.9M

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06:03 7.96 MB 20.5M

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03:44 4.91 MB 244M

BIGBANG TONIGHT M V

03:44 4.91 MB 101.8M

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04:18 5.66 MB 292.3M

BLACKPINK How You Like That OFFICIAL INSTRUMENTAL CD Only

02:58 3.90 MB 3.7M

Chill Study Beats 6 Instrumental Hip Hop Mix 2019

59:46 78.66 MB 7.9M

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04:36 6.05 MB 328.8M

Indila Tourner Dans Le Vide

03:47 4.98 MB 58.2M

Ariana Grande Ft Iggy Azalea Problem Official Video

03:28 4.56 MB 1.3B

Free Sad Type Beat Fake Smile Rap Piano Instrumental 2020

03:08 4.12 MB 3.2M

Taylor Swift Ready For It

03:31 4.63 MB 315.6M

Для вашего поискового запроса Young Beast World S First Cinema Instrumental мы нашли 47 песен, соответствующие вашему запросу. Теперь мы рекомендуем загрузить первый результат VXON The Beast Karaoke Instrumental Vocal Removed который загружен Keijirou ツ размером 4.74 MB, длительностью 3 мин и 36 сек и битрейтом 192 Kbps.

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There’s something in the woods, I swear it
I’m walking like a blind man through the dark
Every other shadow’s watching
Looking for the next unlucky heart
There’s something in the trees, I fear it
Stalking me with two unholy sparks
Counting every step I’ve taken
Trying to find my way back to the start
And I can feel the hungry staring
I can hear the whispers on the wind
Waiting for my feet to fail me
Falling again

Daylight, can you hear me?
I’ve never been good at begging
This time you can see me
I’m down on my knees, I’m praying
I’m lost out in the dark
Daylight, if you hear me
I’m down on my knees, I’m praying

Whispers in the woods, I hear them
Listen as the old trees speak in tongues
Never let them catch you sleeping
Show them that the old you’s dead and gone
Careful of tainted waters
Careful of the witches’ poison well
Careful of the truth red-rider
Tragic when it hurts more than it helps

Daylight, can you hear me?
I’ve never been good at begging
This time you can see me
I’m down on my knees, I’m praying
I’m lost out in the dark
Daylight, if you hear me
I’m down on my knees, I’m praying

There’s something in the woods, I swear it
There’s something in the woods, I swear it
There’s something in the woods, I swear it
There’s something in the woods, I swear it

These burdens we’ll bury
Down deep in the cold
Too painful to carry
Too heavy to hold
Daylight, if you hear me
I’ve never been good at begging
This time you can see me
I’m down on my knees, I’m praying

Daylight, can you hear me?
I’ve never been good at begging
This time you can see me
I’m down on my knees, I’m praying
I’m lost out in the dark
Daylight, if you hear me
I’m down on my knees, I’m praying

There’s something in the woods, I swear it
There’s something in the woods, I swear it

LyricsSupernatural

World’s First Cinema

There′s something evil in my head I feel it in my soul I caught it creepin’ through my veins

Don′t wanna lose control And I hear whispers in the corners of my empty home There’s something evil in my head I lock my doors Threw out the key I hear them call, they’re on to me I′m tearing back The night begins I lose control of myself again Make me a believer Save me tonight Supernatural Supernatural Supernatural Get me high within the moonlight Make me your monster after midnight Crying, chided in the twilight Supernatural (Supernatural) I ask questions of the darkness And it answered back I felt it creeping through my veins Before it all went black And I smell fire, the taste of brimstone It takes control As I surrender to the beast They lock their doors Threw out the key They hear my call, too scared to breathe They′re tearing back The night begins I lose control of myself again Make me a believer Save me tonight Supernatural Supernatural Supernatural Supernatural Get me high within the moonlight Make me your monster after midnight Crying, chided in the twilight Supernatural Supernatural

Writer(s): John Sinclair, Philip Thorpe Evans

A very short history of cinema

Published: 18 June 2020

Learn about the history and development of cinema, from the Kinetoscope in 1891 to today’s 3D revival.

Cinematography is the illusion of movement by the recording and subsequent rapid projection of many still photographic pictures on a screen. Originally a product of 19th-century scientific endeavour, cinema has become a medium of mass entertainment and communication, and today it is a multi-billion-pound industry.

Who invented cinema?

No one person invented cinema. However, in 1891 the Edison Company successfully demonstrated a prototype of the Kinetoscope, which enabled one person at a time to view moving pictures.

The first public Kinetoscope demonstration took place in 1893. By 1894 the Kinetoscope was a commercial success, with public parlours established around the world.

The first to present projected moving pictures to a paying audience were the Lumière brothers in December 1895 in Paris, France. They used a device of their own making, the Cinématographe, which was a camera, a projector and a film printer all in one.

What were early films like?

At first, films were very short, sometimes only a few minutes or less. They were shown at fairgrounds, music halls, or anywhere a screen could be set up and a room darkened. Subjects included local scenes and activities, views of foreign lands, short comedies and newsworthy events.

The films were accompanied by lectures, music and a lot of audience participation. Although they did not have synchronised dialogue, they were not ‘silent’ as they are sometimes described.

The rise of the film industry

By 1914, several national film industries were established. At this time, Europe, Russia and Scandinavia were the dominant industries; America was much less important. Films became longer and storytelling, or narrative, became the dominant form.

As more people paid to see movies, the industry which grew around them was prepared to invest more money in their production, distribution and exhibition, so large studios were established and dedicated cinemas built. The First World War greatly affected the film industry in Europe, and the American industry grew in relative importance.

The first 30 years of cinema were characterised by the growth and consolidation of an industrial base, the establishment of the narrative form, and refinement of technology.

Adding colour

Colour was first added to black-and-white movies through hand colouring, tinting, toning and stencilling.

By 1906, the principles of colour separation were used to produce so-called ‘natural colour’ moving images with the British Kinemacolor process, first presented to the public in 1909.

Kinemacolor was primarily used for documentary (or ‘actuality’) films, such as the epic With Our King and Queen Through India (also known as The Delhi Durbar) of 1912, which ran for over 2 hours in total.

The early Technicolor processes from 1915 onwards were cumbersome and expensive, and colour was not used more widely until the introduction of its three‑colour process in 1932. It was used for films such as Gone With the Wind and The Wizard of Oz (both 1939) in Hollywood and A Matter of Life and Death (1946) in the UK.

Adding colour

Frames of stencil colour film

Science Museum Group Collection

Advertisement for With Our King and Queen Through India, 1912

Science Museum Group Collection

Adding sound

The first attempts to add synchronised sound to projected pictures used phonographic cylinders or discs.

The first feature-length movie incorporating synchronised dialogue, The Jazz Singer (USA, 1927), used the Warner Brothers’ Vitaphone system, which employed a separate record disc with each reel of film for the sound.

This system proved unreliable and was soon replaced by an optical, variable density soundtrack recorded photographically along the edge of the film, developed originally for newsreels such as Movietone.

Cinema’s Golden Age

By the early 1930s, nearly all feature-length movies were presented with synchronised sound and, by the mid-1930s, some were in full colour too. The advent of sound secured the dominant role of the American industry and gave rise to the so-called ‘Golden Age of Hollywood’.

During the 1930s and 1940s, cinema was the principal form of popular entertainment, with people often attending cinemas twice a week. Ornate ’super’ cinemas or ‘picture palaces’, offering extra facilities such as cafés and ballrooms, came to towns and cities; many of them could hold over 3,000 people in a single auditorium.

In Britain, the highest attendances occurred in 1946, with over 31 million visits to the cinema each week.

What is the aspect ratio?

Thomas Edison had used perforated 35mm film in the Kinetoscope, and in 1909 this was adopted as the worldwide industry standard. The picture had a width-to-height relationship—known as the aspect ratio—of 4:3 or 1.33:1. The first number refers to the width of the screen, and the second to the height. So for example, for every 4 centimetres in width, there will be 3 in height.

With the advent of optical sound, the aspect ratio was adjusted to 1.37:1. This is known as the ‘Academy ratio’, as it was officially approved by the Academy of Motion Picture Arts and Sciences (the Oscars people) in 1932.

Although there were many experiments with other formats, there were no major changes in screen ratios until the 1950s.

How did cinema compete with television?

The introduction of television in America prompted a number of technical experiments designed to maintain public interest in cinema.

In 1952, the Cinerama process, using three projectors and a wide, deeply curved screen together with multi-track surround sound, was premiered. It had a very large aspect ratio of 2.59:1, giving audiences a greater sense of immersion, and proved extremely popular.

However, Cinerama was technically complex and therefore expensive to produce and show. Widescreen cinema was not widely adopted by the industry until the invention of CinemaScope in 1953 and Todd‑AO in 1955. Both processes used single projectors in their presentation.

CinemaScope ‘squeezed’ images on 35mm film; when projected, they were expanded laterally by the projector lens to fit the screen. Todd-AO used film with a width of 70mm. By the end of the 1950s, these innovations had effectively changed the shape of the cinema screen, with aspect ratios of either 2.35:1 or 1.66:1 becoming standard. Stereo sound, which had been experimented with in the 1940s, also became part of the new widescreen experience.

Specialist large-screen systems using 70mm film were also developed. The most successful of these has been IMAX, which as of 2020 has over 1,500 screens around the world. For many years IMAX cinemas have shown films specially made in its unique 2D or 3D formats but more recently they have shown popular mainstream feature films which have been digitally re-mastered in the IMAX format, often with additional scenes or 3D effects.

How have cinema attendance figures changed?

While cinemas had some success in fighting the competition of television, they never regained the position and influence they held in the 1930s and 40s, and over the next 30 years audiences dwindled. By 1984 cinema attendances in Britain had declined to one million a week.

By the late 2000s, however, that number had trebled. The first British multiplex was built in Milton Keynes in 1985, sparking a boom in out-of-town multiplex cinemas.

Today, most people see films on television, whether terrestrial, satellite or subscription video on demand (SVOD) services. Streaming film content on computers, tablets and mobile phones is becoming more common as it proves to be more convenient for modern audiences and lifestyles.

Although America still appears to be the most influential film industry, the reality is more complex. Many films are produced internationally—either made in various countries or financed by multinational companies that have interests across a range of media.

What’s next?

In the past 20 years, film production has been profoundly altered by the impact of rapidly improving digital technology. Most mainstream productions are now shot on digital formats with subsequent processes, such as editing and special effects, undertaken on computers.

Cinemas have invested in digital projection facilities capable of producing screen images that rival the sharpness, detail and brightness of traditional film projection. Only a small number of more specialist cinemas have retained film projection equipment.

In the past few years there has been a revival of interest in 3D features, sparked by the availability of digital technology. Whether this will be more than a short-term phenomenon (as previous attempts at 3D in the 1950s and 1980s had been) remains to be seen, though the trend towards 3D production has seen greater investment and industry commitment than before.

LyricsPerfect Hell

World’s First Cinema

Mhm Tu tu ru tu

Talking shadows Hearing whispers down the hall I feel it creep in, hear it crawling through the wall And I′m sleeping with the lights on Just to feel like I am safe (hoo) Guilty conscience I can’t take this, anymore Oh my God! Drag me back into hell Oh my God! How am I gonna save myself? Should have known that light can′t save my life Gon’ find you chewin’ on my bones Oh my God Living in a Perfect Hell Open windows Smell the fever on the breeze See the shadows Hear it sharpenin′ your teeth And this your story progetory Pray my soul a keep So sleeping with the lights on Countin′ wolves amongst the sheep Oh my God! Drag me back into hell Oh my God! How am I gonna save myself? Should have known that light can’t save my life Gon′ find you chewin’ on my bones Oh my god! Living in a perfect hell I′m living Living in a perfect hell I’m living Oh my God! Trick me in get to hell Oh my god! How am I gonna save myself? Living in a perfect hell I′m living Oh no Oh my God! Drag me back into hell Oh my God! How am I gonna save myself? Should have known that light can’t save my life Gon’ find you chewin′ on my bones Oh my God! Living in a perfect hell I′m living

Writer(s): John Sinclair, Philip Thorpe Evans

LyricsCold Sets In

World’s First Cinema

How could I love you better If I barely love myself It′s like giving my hands to hold

As I’m crawling out of Hell And I know this life is Complicated I could fake it If I tried to lie But you′d catch me every time I hate it when the cold sets in But I love the way it draws us Closer than we’ve ever been Holding on for warmth And I barely felt the spark returning Before it left again I hate it when the story ends But I love to start again How many ways can someone Bend before they’ve broken I can feel cracks in the face I wear From the words you′ve spoken And I know this time is The very last that I can ask you Turn yourself around And wander back to me So I squeeze my fist And I bite my tongue And I taste that bitter truth I hate it when the cold sets in But I love the way it draws us Closer than we′ve ever been Holding on for warmth And I barely felt the spark returning Before it left again I hate it when the story ends But I love to start again I hate it when the cold sets in But I love the way it draws us Closer than we’ve ever been Holding on for warmth And I barely felt the spark returning Before it left again I hate it when the story ends But I love to start again

Writer(s): Philip Michael Thorpe-evans, John Sinclair

World’s First Cinema — Make Me a Monster

Music and cinema have worked together in perfect harmony for decades. Film scores and soundtracks are the essential underpinnings of every great movie, but what if someone decided to flip that relationship on its head and create a band that embodied the marvel of the theater? Enter, World’s First Cinema. In preparation for the release of their gripping and dark new single “Make Me a Monster,” the duo sat down with EUPHORIA. and invited us into their cinematic universe.

Fil Thorpe and John Sinclair have both enjoyed previous music industry success, but it was a chance meeting that brought them together as a theatrical alt-pop duo. “Fil and I met at a board game party, and we just ended up talking and decided we should make some music,” Sinclair says. “He had an idea for a sync project that was very limited to pitching for film and television. Then, we sat down in our first studio session together, and it was just like lightning in a bottle. We wrote two songs right off the bat, and they got me instantaneously.”

However, it was only after the pair had written their first tracks that the concept of World’s First Cinema was born. “It wasn’t until we started making music together that we realized the songs worked on a different level,” Thorpe elaborates. “They worked as songs rather than just pieces of music to be played in the background of a film scene or a movie trailer. So, I think it was more of a B to A than an A to B situation.”

Following that revelation, World’s First Cinema got immediately to work, releasing their debut EP Rituals in February 2021. Although the duo admitted, it’s their most recent offerings that will give listeners a true understanding of the band’s sound. “Rituals has a different sonic tone because those songs were written before we had the intention of turning this into a band project,” they share. “As we get further into our releases with ‘Make Me a Monster’ and the songs to follow, it will all fall into place. The music videos and visuals coming out will really help people understand the recurring characters and themes.”

And, they’re right, the band’s recent single “The Woods” and latest single “Make Me a Monster” are the epitome of the dark fantasy sound that World’s First Cinema have developed. With orchestral strings and a bewitching arpeggiated melody, “Make Me a Monster” is an imposing introduction to World’s First Cinema’s fantasy universe. When asked what inspired the track, the pair provide a very simple answer: “Frankenstein’s monster.”

They continue, “We were working on some production for another artist, and John had a couple of song ideas. He sent over the beginnings of what would become ‘Make Me a Monster,’ and as soon as I heard it, I thought, ‘Yo, this is dark, and it’s gonna be hard.’ One of the first things I heard in it was the arpeggiated synth pluck that goes through the verses, and I had this picture in my head of a mad scientist in a dungeon laboratory messing with this Frankenstein’s monster type creature. So, that’s why I put all the drill sounds into the drums, and then it skyrocketed from there.”

With the foundations of the World’s First Cinema universe beginning to emerge and a clear storyline in their minds, Thorpe and Sinclair extended the Frankenstein theme to the forthcoming single’s music video, which will be released on May 19. Set in the 900-year-old Hedingham Castle, the “Make Me a Monster” music video is nothing short of otherworldly, and as Sinclair says, it was his violin solo that sealed the supernatural deal.

“Having me in the video was a funny decision that sealed the whole Frankenstein theme,” he says. “When I put that violin solo in the back end, I had this idea, and I just called Phil and said, ‘I have to rise from the dead and play the violin in this video, otherwise, the whole thing’s not worth it.’”

As you would expect from a band with the word “cinema” in their name, the visual exploration of the World’s First Cinema universe is equally as important as its sonic output. Thorpe elaborates on their all-encompassing approach, saying, “I believe that if you’re going to do a concept record or a concept project, it has to be absolutely everything. The only way to get a consumer absorbed into a universe that you’re building is to make it all-encompassing. So, you need to feel it in the music, hear it in the lyrics and see it in the visuals. Everything from what you’re wearing to the way the logo and artwork look, to the way an instrumental feels is so important.”

With all the enchantment of cinema and the emotional depth of music, World’s First Cinema are embarking on a unique journey that they are excited to share with the world. Although when it comes to sharing the creative process, they’re not entirely convinced. “We’re definitely a bit creatively protective of this little universe that we’re building,” Thorpe says. “It’s not that we don’t want to work with anyone but try to find me a writer who’s writing Frankenstein-driven dark fantasy pop songs, and then we’ll take a session with them.”

However, there is someone who springs to mind: “Actually, if Ozzy Osbourne wants to come jump on something, give us a call,” Thorpe says, only half-joking.

Can’t Feel Anything

Breathe that smoke
It clouds my thought
Once darkness comes again
We’re just footsteps following the storm

You don’t know me well
But you’ve loved before
You’ll love again tonight
When you breathe me back to life again

So in love, but I can’t feel anything at all (oh-oh)
Sweet drugs got me higher than I’ve ever been before (oh-oh)
Like me, my skin’s electrical
Please rush, my blood is running cold
In love but I can’t feel anything at all

Taste your smoke
It burns my lungs
Once darkness comes again
Just feel us drowning in the storm

I don’t know you well
But I’ve loved before
And I’ll love again tonight
When I breathe you back to life again

So in love, but I can’t feel anything at all (oh-oh)
Sweet drugs got me higher than I’ve ever been before (oh-oh)
Like me, my skin’s electrical
Please rush, my blood is running cold
In love but I can’t feel anything at all (oh-oh)

LyricsCan’t Feel Anything

World’s First Cinema

Breathe that smoke It clouds my thought Once darkness comes again We′re just footsteps following the storm You don’t know me well But you′ve loved before You’ll love again tonight When you breathe me back to life again So in love, but I can’t feel anything at all (oh-oh) Sweet drugs got me higher than I′ve ever been before (oh-oh) Like me, my skin′s electrical Please rush, my blood is running cold In love but I can’t feel anything at all Taste your smoke It burns my lungs Once darkness comes again Just feel us drowning in the storm I don′t know you well But I’ve loved before And I′ll love again tonight When I breathe you back to life again So in love, but I can’t feel anything at all (oh-oh) Sweet drugs got me higher than I′ve ever been before (oh-oh) Like me, my skin’s electrical Please rush, my blood is running cold In love but I can’t feel anything at all (oh-oh)

Writer(s): John Sinclair, Philip Thorpe Evans

World S First Cinema Make Me A Monster Official Music Video

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World’s First Cinema teilt wunderbar chillige neue Single „NightChild“

16. November 2021

von Tyler Schmitt

World’s First Cinema hält uns weiterhin fest mit ihren neu veröffentlichte Single “NightChild”.

Der wunderbar chillige neue Track folgt einer Reihe von eindringlichen Veröffentlichungen, darunter “Make Me A Monster”, “Supernatural” und zuletzt “Perfect Hell”, die alle ein sehr unheimliches und dennoch fesselndes Bild des Duos zeichnen, während sie weiter ein dunkleres, mehr necken theatralische neue Phase ihrer musikalischen Reise.

“‘NachtKind’ ist ein Dracula-inspirierte theatralische Pop-Punk-Hymne”, sagt das Duo. “Wir fanden, dass das Schreiben des Songs innerhalb der Grenzen des gewählten Themas wirklich Spaß machen würde. Es ist eine Herausforderung, solch konzeptionelle Musik für einen uneingeweihten Hörer immer noch poppig und süchtig zu machen, aber wir glauben, dass das Ergebnis etwas Besonderes ist und es ist einer unserer Lieblingssongs, die wir veröffentlicht haben. Wir haben es vor kurzem zum ersten Mal live gespielt und es war einer der größten Momente im Set, was immer ein positives Zeichen ist.”

Hören Sie unten das neue Lied.

SLUMBERJACK And I Feat World S First Cinema

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LyricsYoung Beast

World’s First Cinema

Young beast, crawling back on your knees Caught a taste of the finer things, and you′re praying your soul to keep

Hallelujah (ooh) I can smell the kill on you, yeah (ooh) Tell me, young beast Oh, blood is in the air, tonight you feast My darlin’, ooh, from under sheep you keep on runnin′ (ooh) Are you really getting what you wanted? (Ooh) Mmh, tell me, young beast (Show me, young beast) To keep lookin’ for a release You always get what you wanted, but it’ll never be what you need Halleluiah (uh) I can taste the kill on you, yeah (ooh) Oh, you runnin′ faster than they can scream Oh, won′t you tell me, young beast? (Young beast) (Show me, young beast, beast) Young beast, sharpenin’ your teeth Young beast, take your fear the feast Young beast, sharpenin′ your teeth (ooh) Young beast, take your fear the feast (feast, feast, feast) Hallelujah (ooh) I can smell the kill on you, yeah (ooh) Hallelujah (ooh) I can smell the kill on you, yeah (ooh) Mmh, tell me, young beast Oh, blood is in the air, tonight you feast My darlin’ (ooh) Ooh, from under sheep you keep on runnin′ (ooh) Are you really getting what you wanted? Ooh) Mmh, tell me young beast

Writer(s): John Sinclair, Philip Thorpe Evans