Rain world map

03.09.202203.09.2022 admin 0 Comments

Rain world map

Industrial Complex

Industrial Complex is one of twelve main regions of Rain World, and is the second region in the game as the Monk or the Survivor if you follow the intended path.

Overview [ ]

The Industrial Complex is, as its name suggests, an abandoned manufacturing facility, as confirmed by its appearance and the text on the blue pearl. It is rather similar to the Outskirts and presents few challenges to players travelling within its walls, but the appearance of Vultures adds significant difficulty. The majority of the map is underground, consisting of small pipes and chambers which the Slugcat must delicately weave through. However, the only direct path to progress is following the open, more dangerous, higher areas. In a way, this region acts as a «heart» to the regions in the game, and most regions can be reached directly or indirectly from this area- so if travelling far, first start here. Rainbows have a chance to appear in certain rooms at the start of a cycle.

Creatures [ ]

The following creatures can be found natively in this region on all difficulties:

The following creatures can be found natively in this region on easy and medium difficulties:

The following creatures can be found natively in this region on hard difficulty:

The following creatures can be found natively in this region on easy and hard difficulties:

Food that can be found in Industrial Complex include:

Arena mode unlockables [ ]

Location	Unlockables
Industrial Complex	Creatures	Blue Lizard, Centipede (small/medium), Vulture Grub
	Objects	Gunpowder Plant
	Maps	Hole, Shafts, Stove Pipes

Hidden Areas [ ]

List of Karma Gates to other regions [ ]

Map in Game [ ]

Drainage System

THIS WIKI HAS BEEN ABANDONED

You can visit the new and improved wiki here: https://rainworld.miraheze.org

Drainage System is a water-filled region that consists of a series of indoor rooms, pipes, and tunnels. Drainage System features a large amount of water hazards and very few dry rooms. It is accessible early on from the Outskirts, but is significantly more difficult to traverse than the intended route through Industrial Complex. Several points in the region feature long falls with no way of climbing back up, which can eventually force the player to take the lower, flooded path towards the Garbage Wastes. Some rooms are almost completely flooded with only small pockets of air, and require extended dives to traverse.

Creatures [ ]

The following creatures can be found natively in this region on all difficulties:

The following creatures can be found in natively this region on easy and medium difficulties:

The following creatures can be found natively in this region on hard difficulty:

Arena mode unlockables [ ]

Location	Unlockables
Drainage System	Creatures	Red Leech, Salamander, Snail
	Objects	Hazer, Bubble Weed (Survivor and Hunter only)
	Maps	Cistern, Filters, Water Reactor

List of Karma Gates to other regions [ ]

Map in Game [ ]

tommilligan/RainWorld-Map

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README.md

So what is ‘Rain World’?

Rain World is a ‘survival platformer set in an abandoned industrial environment ravaged by a shattered ecosystem’. And it is awesome.

If you love procedural animation, randomised gameplay, and relying on your instincts to survive in a rugged and hostile environment, Rain World is the game for you. Plus, it has a cute protagonist!

The game devs are James Primate and Joar Jakobsson

Build your own map

FAIR WARNING This code is under extremely active development and will probably be re-written several times. Don’t expect anything you do now to work for very long.

The following dependencies are required on Python 2 (tested v2.7.9). Several sub-dependencies are required, notably numpy.

This build was tested on Windows 7. Most packages can be installed with pip install ; where necessary, Windows installation binaries were used from [http://www.lfd.uci.edu/

zoomify.py is used for images that are too large to be viewed under normal conditions. It takes images generated by generate.py and produces tiles and associated meta-data in the required directory structure for Zoomify compatibility (output is the zoomify_tiles directory).

The assets directory stores screenshots and other files used during map creation.

The Wall

The Wall is a subsection of the Exterior and is a challenging region in which the player scales the outer walls of Five Pebbles superstructure. Near the bottom of the Wall is the gate to Chimney Canopy and a pathway towards the Underhang. At the top of the subregion lies an echo and one of two gates leading into Five Pebbles. If the player ascends the Wall, they will face a series of challenges which will test their pole and tunnel climbing abilities, requiring use of the wall jump and spears as makeshift poles to climb higher. General movement becomes much easier when descending the Wall. If inexperienced at the descent, it is suggested to proceed at a steady pace because some upper ledges stick out further than those below and certain falls can be lethal.

At and above the elevation of the large circular structure in this subregion, there is no risk of dying to the rain. Near this boundary, effects of the rain can still be felt, and will still hinder player movement.

Creatures [ ]

The following creatures can be found natively in this subregion on all difficulties:

The following creatures can be found natively in this subregion on easy and medium difficulties:

The following creatures can be found natively in this subregion on medium and hard difficulties:

The following creatures can be found natively in this subregion on hard difficulty:

Map Tab

This is a single tab for the Dev Tools. See that page for more controls and other tabs.

While you will be able to edit and tweak the map ingame, the in game map will only be loaded again on a full restart of Rainworld. It will often be broken as well due to previous exploration of the map. To properly test your map, you will need a backup file from before you entered the region, or to reset the file entirely, and restart the game again. This tool is very picky, and often rendering/exporting the map will fail until you restart Rainworld.

General controls [ ]

NOTICE! Although these buttons are behind the map (and are slightly darker due to this), they still function exactly the same!

PAGES: [ ]

Brings you to the other devtool editors.

Saves the current map properties. Layout, dev view, enemy preferences, and all. To the region’s properties text file, and map text file.

NOTICE! It is important to ALWAYS save before you leave the map tab! The map will reset to its previous state if you change to another tab, or close dev tools! Changing between canon/dev modes will not reset the map. However saving often in this tab is a good habit.

Modes: [ ]

There are two specific map modes, canon, and dev. Canon mode is the maps appearance ingame, and dev mode allows you to set specific properties of rooms, such as creature’s attraction to it, and their sub region.

Dev View [ ]

This mode displays every room tied to the region, their names, and their doors. Lines are drawn between

connected doors. Disconnected doors will show an unconnected diagonal line. Doors that do not have a proper connection in their destination room will point into the center of that room’s icon instead of to a door. Properly linked doors will show two lines. One going from each room to the proper door on the other end.

The placement of these rooms will not change the map that the player sees in game, nor does it affect room settings that require specific map heights like «AboveCloudsView», and can be aligned to your convenience.

Understanding Entrance Types: [ ]

There are various doors in and out of rooms. These not only include the doors slugcat can use to travel between rooms, but also creature dens, and unique doors; Such as the automatically added sky doors for vultures. The dev view outlines each door in every room connected to the region. Allowing you to easily see which rooms have specific doors as you edit the World File. The specific doors are as follows:

More can be found on the Creature Spawns page, as well as a guide on how to add creatures to regions.

Reset Dev Positions: [ ]

Holding N and pressing this button will move all rooms to their canon locations. Not used often, Really only useful if you somehow have lost a room off screen.

Room Attractiveness Tool: [ ]

This tool allows you to select an enemy, or enemy class from the right hand menu, and specifically tweak what rooms they love, avoid, are neutral to, stay in, or are not allowed inside of while wandering the map. This does not apply to when an enemy is in pursuit of slugcat, or to tamed creatures. Who will follow you into rooms that are forbidden to them, but try to leave as soon as they return to their normal lurking mode.

The menu on the right allows you to select a specific enemy, and then the tool’s mode at the bottom. Clicking a map screen while «cycling» will change it between the various attractiveness options. Clicking the TOOL button will change it to setting specific modes. Clicking «apply tool to all rooms» with a specific mode selected, will paint every room to that mode. Helpful if you want an enemy to only wandering one or two rooms of a huge map, but don’t want to set every other room to forbidden manually.

Sub Regions Tool: [ ]

This mode will allow you to click map screens, and to change them between the various sub regions inside the map region’s properties.txt file. The NONE sub region is a special flag that will not display an area name until you have entered another sub region. Save rooms and gates automatically have their sub region forcefully set to NONE, and cannot be changed.

Canon View [ ]

This mode is for constructing the map that the player will actually see in game. If you require the actual location of the room in X and Y you will need to open the map_XX.txt file in the region. As some unique effects require specific heights. More details can be found in the Room Settings Tab.

Render Map: [ ]

This button will export the canon map as a texture, containing the three layers the map uses to draw the in game map. In some cases this will fail. Often due to using it multiple times, or tweaking the map too much. It is a very picky tool. Restarting Rainworld will fix this, and allow you to export properly again. Be sure to save after you export the canon map, as failing to save before you leave the map tab will result in the map resetting to the last save.

More details can be located here Rendering Minimaps.

Свалка

Свалка (Garbage Wastes) — регион средней сложности. Преобладающие цвета — бурый и кислотно-жёлтый.

Содержание

Описание

Свалка — давнее место сброса отходов. Частично затоплена и населена довольно разнообразной фауной.

Общий уровень опасности можно оценить как «средний»: на Свалке доступно много способов утонуть, быть съеденным или получить копье в голову. Источники пищи обильны и представлены, в основном, водными орехами. Убежища многочисленны и равномерно распределены. В большинстве луж обитают красные пиявки, а открытые пространства часто посещают стервятники. Свалка является местом обитания большого количества мусорщиков, способных представить крайне серьезную опасность для испортившего с ними отношения слизнекота.

Структура региона также может представлять опасность, снижать скорость передвижения. Мусорные кучи образовывают многочисленные тоннели, напоминающие лабиринты. Многие участки расположены «друг перед другом», что повышает сложность ориентирования: многие комнаты, неожиданно для игрока, являются обходными путями для других участков. Правая нижняя часть региона населена братьями долгоногами, пересечение региона через низ гораздо быстрее и, с тем же, опаснее.

В регионе можно найти два поста мусорщиков, за одним из них находится единственная крепость мусорщиков, скрытую комнату-склад мусорщиков, большое количество белых жемчужин, а также сюжетную жемчужину бирюзового цвета.

RainViewer: Метеорадары, ДМР‪Л‬ 4+

Виджет погоды, прогноз осадко‪в‬

MeteoLab Inc.

Разработано для iPad

Снимки экрана

Описание

КАРТА ОСАДКОВ В РЕАЛЬНОМ ВРЕМЕНИ
Будьте впереди непредсказуемой погоды. RainViewer позволяет отслеживать осадки на удобной для понимании карте. Вам доступна информация о движении осадков за последние 48 часов, положение зон с дождем или снегом прямо сейчас и информация о том, куда и как будут двигаться осадки в течение следующих 90 минут.

ТРЕКЕР ТРОПИЧЕСКИХ ШТОРМОВ
Позволяет видеть все актуальные тропические штормы на карте. Отслеживать их движение на карте. Видеть их силу, скорость ветра и направление движения.

ГРАФИК ОСАДКОВ
Показывает интенсивность и количество осадков на следующий час для выбранного места. Доступен для более чем 90 стран. График визуально отображает, когда начинается и заканчивается дождь.

ПОГОДНЫЕ ВИДЖЕТЫ
Три удобные виджета дают вам доступ к свежему прогнозу погоды для любой локации, а также информацию о положении и силе осадков. Благодаря виджетам, у вас есть возможность просматривать всю эту информацию прямо на вашем домашнем экране.

МИРОВОЕ ПОКРЫТИЕ
RainViewer предоставляет информацию о точном местоположении осадков благодаря обработке информации с наибольшего количества метеорадаров с более чем 90 стран. Приложение показывает всю необходимую информацию на единой карте. 1000+ метеорадаров доступны именно вам. А по желанию, вы можете просматривать еще более подробную информацию и изображения по каждому из радаров.

ПРОГНОЗ ПОГОДЫ
RainViewer отображает прогноз погоды на 48 часов или 14 дней на прекрасно читаемом графике. Простой и понятный, он содержит только важные данные: температуру и погодные условия.

СТРЕЛКИ НАПРАВЛЕНИЯ ДВИЖЕНИЯ ОСАДКОВ
На основе данных метеорадаров, RainViewer показывает точное направление движения осадков. Включите слой со стрелками, чтобы отразить стрелки на карте.

ОПОВЕЩЕНИЯ О ДОЖДЕ
Не рискуйте, когда дождь, снег или любой другой тип осадков направляется к вам. RainViewer оповестит вас с помощью предупреждений о дожде, например так: «Дождь начнется через 23 минуты и продлится 58 минут».

APPLE WATCH
RainViewer is available for Apple Watch, so you can get the latest weather updates on your wrist. Check a detailed forecast for any of your favorite locations and follow the precipitation direction on a weather radar map.

ОБНОВИТЕСЬ ДО ПРЕМИУМ И ПОЛУЧИТЕ ПРО ФУНКЦИИ (подписка с автоматическим продлением):

• Обновления радарной карты каждые 5 минут.
• Направление движения осадков.
• До 10-ти любимых мест.
• Уведомления о предстоящем дожде для любого избранного места.
• Карта-прогноз осадков на 90 минут, с шагом в 5 минут.
• 48-часовой / 14-дневный прогноз погоды.
• Без рекламы.

Liveuamap 17+

Altwork LLC

Designed for iPad

Screenshots

Description

Liveuamap app delivers breaking news for World on maps, especially for Venezuela crisis, Ukraine, Israeli-Palestinian conflict in Gaza, Middle East, Russia, United Kingdom, Iran, Hezbollah, Syrian civil war map, Iraq news, Spain, Refugees, migrants crisis in Europe, protests in Venezuela map, United States politics and protests, Russian ties, provides wildfires map in California, War on ISIS and other terror groups, North America, China and Russia. News on the map. Explore a feed and map of news, pictures, and videos on your phone.

Features: map tools, notifications, regions search, additional markers

Liveuamap Subscription:
• Monthly-renewed subscription that removes advertising from application and enable additional features for maps
• Payment will be charged to iTunes Account at confirmation of purchase
• Subscription automatically renews unless auto-renew is turned off at least 24-hours before the end of the current period
• Account will be charged for renewal within 24-hours prior to the end of the current period, and identify the cost of the renewal
• Subscriptions may be managed by the user and auto-renewal may be turned off by going to the user’s Account Settings after purchase
• Any unused portion of a free trial period, if offered, will be forfeited when the user purchases a subscription to that publication, where applicable
Please read our Terms of Service https://liveuamap.com/about#terms and
Privacy Policy: https://liveuamap.com/about#mobileprivacy

• To save money we are also offering to buy our half-year renewable subscription

henpemaz/Rain-World-Interactive-Map

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README.md

A Rain World interactive map using leaflet and GeoJSON data exported from the game files.

This project consists of three parts:

The currently tracked things from the game are:

The immediate to-do list for this project is:

If you wish to contribute, hmu on Discord!

About

A Rain World interactive map using leaflet and GeoJSON data exported from the game files.

The Mast

Author

Specification

Latest Version

Requirement

Connections [ ]

Subregions [ ]

Mechanics and features [ ]

The upper regions of The Mast are affected by wind, a unique mechanic to the region that increases in intensity the higher you get. The wind pushes slugcat, creatures, and objects to the east.

Pearl chains [ ]

Pearl chains are a unique object that can be found in and around the Scavenger Den, a subregion at the base of the region. They are usually found hanging from the ceiling of a room, and consist of 1-4 white pearls connected by a black string. Pearl chains can be grabbed by the player, and when stretched enough they will detach from the ceiling. They can be carried and thrown as a normal item, and can be traded with scavengers for a small increase in reputation. However, nearby scavengers will become aggressive if you break a pearl chain, causing you to lose a significant amount of reputation.

Looks to the Moon dialogue [ ]

Dark purple pearl (Primary Transmission Node) [ ]

This pearl is weathered, and the data it contains appears to be somewhat corrupted. I will try as best I can to decipher it.

This message was intended for me. Much of the text is corrupted beyond retrieval, but it seems to be a formal authorization or declaration document of some description. I’ll read what I can.

It’s an emergency access authorization for Five Pebbles’ aquifer extraction pumps. Those are usually illegal.

The message appears to have been sent via the primary transmission network. Usually, that network is only used for longer-range broadcasts or other exceptions, but this message’s trace IDs indicate it originated from within the local group. Why it was sent in this way rather than through the standard sub-stratospheric comms array, I couldn’t say.

The faults in this pearl’s data seem to suggest that this message was forcefully rerouted, sending it through various parallel channels in the process. This may have been the result of the node suffering from some critical processing error, or it may have been intentional.

Regardless, the message never reached its destination. Until now, I suppose, though it’s not like I can use it.

Lime pearl (Rail Bridge) [ ]

This one is part of a stock list for a shipment of various goods, from a western growing plant. It’s written to be read by a sorting automaton, so most of it won’t make much sense to you.

This pearl specifically documents an order of various ferns and palm leaves, which were to be ground up and distributed amongst the «Benevolent Communion of Ceaseless Virtuosity and Splendor» for some kind of spiritual practice.

Underneath that, rather haphazardly slotted in, there’s a passage from an old religious plate. It describes how the ferns were once hand-picked on the eve of moonrise from sacred grounds, coated in some sort of paste, and left out on a carved board to dry before use.

Many of the spiritual methodologies described in the old texts involved gathering materials in this way. The act of foraging for resources was a method of abstraction of the self. They said that by drawing oneself closer to the animalistic natures that bind us to this plane, one could more effectively transcend beyond.

These ferns were artificially grown and harvested, of course. I suppose the inclusion of this text was intended to make up for that.

Pearl chains [ ]

Some data pearls with holes burned through their centers, tied together with some sort of twined plant fiber. I can’t read the pearls, they’re far too damaged.

Shoreline

Shoreline is one of the twelve regions in Rain World. Shoreline is the fourth region you’ll enter as the Monk or Survivor if you follow the intended path that the yellow Overseer guides you along.

Shoreline consists mostly of open water and islands connected by tunnels and a system of pipes filled with water. There are three colored pearls to be found in this region. Rainbows have a chance to appear in certain rooms at the start of a cycle.

Creatures [ ]

The following creatures can be found natively in this region on all difficulties:

The following creatures can be found natively in this region on hard difficulty:

The following food can be found in Shoreline:

Subregions [ ]

Shoreline’s only sub-region is Looks to the Moon, which features no hazards other than the rain. This sub-region is plot relevant.

Arena mode unlockables [ ]

Location	Unlockables
Shoreline	Creatures	Jellyfish, Jetfish, Blue Leech (Survivor and Hunter only), Leviathan (Hunter only)
	Maps	Refinery, Waterworks

List of Karma Gates to other regions [ ]

Map in Game [ ]

Lineage System

The Lineage System determines which creature type will re-spawn in a den when killed by the player. This only affects certain dens in game; normal dens only ever spawn a single type of creature.

Explanation [ ]

When a creature is killed by the player, there is a 33% (50% for hunter) chance per cycle of a new creature spawning in the parent den. For lineage dens, when that creature respawn chance is fulfilled, there is an additional chance that a different type of creature, usually another colour of lizard, will instead spawn based on a predefined lineage list. This is the only way to encounter red lizards in game as survivor and monk.

Information on Lineage lists for specific dens can be found in Rainworld > World > Regions > [specific region] > World.txt, as well as in this interactive map Made by Henpemaz

Examples [ ]

Example of Lineage List for a specific den, found in the World files for each region.

In this image, SU_A40 shows the room code, and : 2 : is the den number. The first type of lizard to spawn in this den will always be green. When killed by the player, there is a 10% chance (0.1 out of 1.0 total) that the next lizard spawning will be pink instead. Every time pink is killed, there is then a 50% chance of changing to blue, and so on. The red lizard here will re-spawn infinitely, since there is a 0% chance of progression.

Example of Lineage List for pole mimics.

In this image, the NONE value means that nothing will spawn in that den from game start, with a 5% chance per cycle of a pole mimic appearing. After it is replaced with another mimic (40% chance per kill), there is then another 40% chance that a tentacle plant will instead appear.

Curly brackets < >indicate the size of the creature, if applicable, and can also be seen with centipedes.

Chimney Canopy

Chimney Canopy is the central region of the upper areas of the game, connecting the highest regions on its sides it to the grounded regions below. Chimney Canopy is composed of large towers and broken structures extending above a ruined industrial landscape. The region involves a large amount of vertical movement, making enemies such as Blue Lizards more threatening than in previously open areas. Rainbows have a chance to appear in certain rooms at the start of a cycle.

Creatures [ ]

The following creatures can be found natively in this region on all difficulties:

The following creatures can be found natively in this region on easy difficulty:

The following creatures can be found natively in this region on easy and hard difficulties:

The following creatures can be found natively in this region on medium and hard difficulties:

The following creatures can be found natively in this region on hard difficulty:

Echoes and colored pearls [ ]

Arena mode unlockables [ ]

Location	Unlockables
Chimney Canopy	Creatures	Vulture, White Lizard, Dropwig (Survivor and Hunter only), Cyan Lizard (Hunter only)
	Maps	Scaffolding, Thrones

List of Karma Gates to other regions [ ]

Map in Game [ ]

World

Rain World is a massive and intricate kingdom of flora and fauna, overgrown wilds and sturdy complexes. Below is a list of all the regions of Rain World;

A collection of decaying structures that make up the far reaches of the Complex, and where the slugcat’s long journey will most likely begin.

A massive factory consisting of warehouses, smokestacks, and conveyor belts (all broken down of course), infested with many types of predators including the tenacious centipedes and the dreaded vultures.

A once populated place of worship shrouded in eternal darkness in the shadow of the Five Pebbles superstructure, now home to deadly spiders and mechanical menaces. Although almost completely dark, there are a few light sources to be found, and these few sources could very well save your life.

A damp maze of pipes and tunnels, some of which cannot be climbed back into once exited. Populated by the amphibious Salamanders and the meek Snailturtles, the slugcat should be careful not to end up in a leech-infested grave.

A lofty lookout point forcing the slugcat to straddle its spires in order to reach the summit. Boasting particularly dangerous climb with surprises and precarious jumps around every corner.

A veritable junkyard with murky waters and waste of all kind. Home to bizarre creatures adapted to this toxic environment as well as large Scavenger colonies, attracted by the Wastes´ high concentration of valuable pearls.

A series of long, open farming plots and cramped irrigation shafts populated by giant deer and carnivorous plants that require patience and quick thinking to traverse.

A collection of winding caverns, pipes, and tunnels brimming with all sorts of wildlife, from Leviathans to spiders to lizards galore. Exploring this region requires utmost skill and experience if you want to live.

A vast ocean with few islands where the Looks to the Moon superstructure now rests, guarded by gargantuan biomechanical predators, revolting leeches, and the ever-present threat of drowning.

A giant supercomputer that accidentally released a living virus into itself in a mysterious horrible accident.

A soaring wall with an abandoned city above and a hellish, inhospitable nightmareland below featuring vertical climbs and deadly drops, all while avoiding the cystic rot from Five Pebbles as green lightning thunders in the background.

A collection of beautiful islands connected by broken scaffolding and brimming with beauty and danger. The threat of falling is ever-present here, as is being attacked by airborne predators like vultures and winged centipedes.

Progression and Speedrun Tactics

Although it is completely up to the player which route they choose, the most common path for Easy and Normal Mode speedruns and streamlined completion is; Outskirts-Industrial Complex-Garbage Wastes-Shoreline-Shaded Citadel-The Exterior-Five Pebbles-The Exterior-Chimney Canopy-Sky Islands-Farm Arrays-Subterranean-Ascension. This path allows the player to travel through every region except Drainage System, which is generally considered optional. The Exterior is visited twice, as the player enters and exits Five Pebbles.

Hard Mode completionist speedruns usually follow an opposite path; Farm Arrays-Sky Islands-Chimney Canopy-The Exterior-Five Pebbles-The Exterior-Shaded Citadel-Shoreline-Garbage Wastes-Industrial Complex-Outskirts-Drainage System-Subterranean-Ascension. This route lets the player see the entirety of the world on their way to Ascension, but if they are short on time it would be best to abandon the completionism of the speedrun and skip the Industrial Complex and Outskirts by taking the gate from Garbage Wastes to Drainage System. The Exterior is visited twice in this route as well.

Depths

The Depths is a subregion of the Subterranean region that is important to the plot, accessed through a pipe at the bottom of the Filtration System, making it by far the lowest point in the game. There is no threat of Rain, and there are no natural predators. The only threat are the guardians of the area which will only bother the slugcat if the player has not unlocked the maximum Karma level. The only exit from the Depths is downwards, as there is no way to climb the pipe back up.

The Depths (Spoilers ahead) [ ]

The Depths is a seemingly abandoned series of temples and shrines. In order to progress through, the slugcat must have unlocked the 10th Karma level, typically acquired by visiting Five Pebbles. Strange, tall beings guard the area, and will quickly kill the slugcat if it does not have a Karma level of 10. Thankfully, some strange device at the entrance will raise the slugcat to its maximum karma level as soon as it enters the compound. Attempting to make one’s way past the guardians without having reached maximum karma is not advised, as they have absurdly high health pools and will kill the slugcat almost instantaneously, but with good timing it is possible to blind them with a flashbang fruit just long enough to sneak past.

As the player progresses downwards, the compound gives way to a loose cave system, and the slugcat will eventually reach a pool of a strange liquid, known as the Void Sea. The slugcat cannot drown in this liquid, and swimming down into it will begin the ending sequence.

Rain World (2017/RUS/ENG/Лицензия)

Основная информация:
Название игры: Rain World
Жанр: Экшены, Приключения, Инди, Платформеры
Разработчик: Adult Swim,Videocult
Платформа: PC, PlayStation 4, Nintendo Switch
Год выпуска 2017
Тип издания: DL
Язык интерфейса: Русский, Английский, MULTI13
Язык озвучки: Русский, Английский
Таблетка: QUARTEX

Описание:
Вы слизнекот. В мире полно опасностей, и вам придется справиться с ними в одиночку. Добывайте пропитание и ищите укрытие от ливневых потоков, которые грозят смыть все живое с лица земли. Пробирайтесь по останкам погибшей цивилизации, спасаясь от коварных хищников, которые приспосабливаются к вашей тактике.

Системные требования:
PC
Minimum:
OS: Windows 7 64-bit
Processor: Dual Core 2.4 Ghz
Memory: 2 GB RAM

Achievements

Achievements are objectives that may be completed by the player in order to obtain a Passage or corresponding achievements on platforms such as Steam or PSN. Many are only for completion’s sake, but some achievements (such as passage achievements) can provide a benefit to the player.

Passage Achievements [ edit | edit source ]

Passage achievements are awarded for specific in-game actions, and allow the player to teleport to any shelter previously visited and gain their current maximum karma. The Survivor is the first passage achievement, and must be completed before progress can be gained towards any of the other passage achievements.

Progress toward passages is shown on the hibernation screen if enough time passes before the next cycle begins. Certain passage achievements progress with a list of dots that show current progress, and others progress with a sliding bar that can increase or decrease depending on certain conditions. As soon as a certain amount of progress is achieved towards the quest, the achievement’s symbol and its progress path will be revealed, and will stay visible unless an achievement’s progress bar drops to zero again.

Choosing the «Passage» option on the hibernation screen (if the player has any passages available) will show a unique illustration for the particular passage, at which point they can either use the passage, with the option to pick a specific shelter that was previously visited by holding the map button down and selecting the desired shelter; or pressing the pause button to return to the main menu (in case the passage was accidentally selected). If the player uses a passage, they will wake up in the shelter they selected with their current maximum karma level. Objects stored in the player’s stomach will travel with them, but any items in the previous shelter will be left behind.

Passages can only be earned once during each playthrough, and each can only be used once; resetting a campaign or the save slot will also reset all passages, allowing them to be earned again (this does not apply to external achievement trackers like Steam).

The Survivor [ edit | edit source ]

This achievement is awarded by spending five cycles at their current maximum karma level, which shares the same symbol as this passage assuming that the player has not raised it. These five cycles do not need to be consecutive; once gained a survivor pip cannot be lost. This achievement awards a passage, and is a prerequisite for unlocking all other passage achievements. The player cannot progress towards or use other passages until this passage is unlocked.

The Monk [ edit | edit source ]

The Hunter [ edit | edit source ]

The Saint [ edit | edit source ]

The Outlaw [ edit | edit source ]

The Chieftain [ edit | edit source ]

The Wanderer [ edit | edit source ]

This achievement requires you to sleep at least once in each region. It is tracked by pips corresponding to a given region. The player cannot earn any progress towards this achievement until «The Survivor» passage is completed, so may need to revisit regions visited before «The Survivor» was earned. After earning «The Survivor» the player must also move to a new shelter to gain a Wanderer pip.

The Dragon Slayer [ edit | edit source ]

The Friend [ edit | edit source ]

The Scholar [ edit | edit source ]

Echo Achievements [ edit | edit source ]

Four Needles under Plentiful Leaves [ edit | edit source ]

«You encountered the echo of Four Needles under Plentiful Leaves»

Four Needles under Plentiful Leaves is located in Shaded Citadel, below the near end of the eastern bridge close to Shoreline.

Six Grains of Gravel, Mountains Abound [ edit | edit source ]

«You encountered the echo of Six Grains of Gravel, Mountains Abound»

Six Grains of Gravel, Mountains Abound is located in The Exterior, at the top of The Wall

Nineteen Spades, Endless Reflections [ edit | edit source ]

«You encountered the echo of Nineteen Spades, Endless Reflections»

Nineteen Spades, Endless Reflections is located at the top middle area of Chimney Canopy, in between the Karma Gates to Sky Islands on the left and The Wall on the right.

Droplets upon Five Large Droplets [ edit | edit source ]

«You encountered the echo of Droplets upon Five Large Droplets»

Droplets upon Five Large Droplets is located in the lower left area of Sky Islands, near the gate to Farm Arrays.

A Bell, Eighteen Amber Beads [ edit | edit source ]

«You encountered the echo of A Bell, Eighteen Amber Beads»

A Bell, Eighteen Amber Beads is located in the lower right area of Farm Arrays, near the gate to Outskirts.

Two Sprouts, Twelve Brackets [ edit | edit source ]

«You encountered the echo of Two Sprouts, Twelve Brackets»

Two Sprouts, Twelve Brackets is located in Subterranean, on the right side of the ravine next to the gate to Farm Arrays.

Story Achievements [ edit | edit source ]

Story achievements are awarded for reaching specific points in the game’s story or performing certain tasks related to the game’s plot. They do not inherently reward the player with anything in-game (although some, such as «Stolen Enlightenment» or «The Journey», are tied to a point where the player can receive significant rewards) but instead simply track the player’s progress through the game.

A New Friend [ edit | edit source ]

«You are not the only lost soul in this world..»

Stolen Enlightenment [ edit | edit source ]

The Journey [ edit | edit source ]

«Go west, past the Farm Arrays and then down deep into the earth. «

Pilgrimage [ edit | edit source ]

«The highest enlightenment, achieved by the hardest path. A feat even guardians must respect»

This achievement requires the player to raise their maximum karma to the highest level without visiting Five Pebbles. To do this, the player must find four out of the six Echoes, each of which will raise the player’s maximum karma by a small amount. All four echoes must be found before visiting Five Pebbles. The achievement will be earned as soon as the last echo raises the player’s karma level to the maximum of 10.

While playing as The Hunter, Five Pebbles may contribute to the achievement, as long as he does not provide the final karma increase.

Ascension [ edit | edit source ]

This achievement is awarded for reaching the end of the game, deep within The Depths. The achievement will be given when the ending credits start scrolling.

Objects

THIS WIKI HAS BEEN ABANDONED

You can visit the new and improved wiki here: https://rainworld.miraheze.org

The player can carry, throw, and use a variety of items to assist in survival. The slugcat can carry two items, and will throw the item carried in its right hand (viewer’s left) first. You can swap the items in the slugcat’s hands by double tapping the grab button. Certain items can also be carried in the slugcat’s stomach by holding the grab button, as though eating it, and then regurgitated by holding the grab button again (Note that, since this is the same controls as eating, the slugcat will eat any food being carried before swallowing any non-food, unless it is already full). Objects can also be dropped by holding down and the grab button, which will not trigger any on-throw effects for items such as explosives. More details on object management can be found on the controls page.

Most objects will not despawn when stored in shelters, even if the player is not in the same chamber. This is useful for storing valuable weapons or certain pearls, or simply for ensuring that you have any necessary items for the next cycle, since most items are spawned procedurally, and may not appear in the same place on subsequent cycles.

Certain objects can also be used as gifts for Scavengers to raise the players reputation with them. A full list of potential gifts and their value can be found on the Scavengers main page.

Ranging from batflies to berries to bugs, most varieties of food are carried in one hand and can be thrown a short distance. A full list of all the different edible plants and animals can be found on the main food page. Most food can only be thrown a short distance, but jellyfish and dried water fruit are notable exceptions. Certain foods can be used to distract or even tame larger creatures, but the most common use of food is for the player to eat it.

Bubble Fruit [ ]

A unique, tiny blue fruit which cannot be eaten in its raw form. Instead, the fruit must be submerged in water before being eaten. Bubble fruit will then give off a brief pop, becoming edible, bubble-like transparent orbs. Bubble fruit are thrown at full force unlike normal food, and has the ability to stun enemies much like rubbish.

Rubbish [ ]

Rubbish is a term for common, unremarkable objects such as bricks and rocks that are found all throughout the game. Although rubbish can’t be used to directly kill enemies, they can be thrown at full force to stun most enemies for a moment, or thrown at a wall to create a distracting noise so that the player can sneak by. Thrown rubbish does enough damage to kill Batflies, making catching them much easier. In addition, throwing rubbish at a lizard’s head will flip it over and expose its vulnerable body to further attack.

Spear [ ]

Spears are weapons that are can be thrown much like rubbish. Spears, unlike other items, can only be carried one at a time and cannot be swallowed. They will cause a sizable amount of damage to most enemies if you hit them in the right spot. Spears can also be stuck into most walls, although they can deflect off of walls if they hit the wall in the wrong spot. Spears can also be stuck inside floors, but the use of doing so is situational. In certain cases, spears can pin enemies to the wall, which can allow the player extra attack opportunities or extra time to escape.

Explosive Spear [ ]

Explosive spears are spears draped in explosive red ribbons. Explosive spears are held by scavengers, so the only way for the player to obtain them are to either trade with scavengers or take one from a scavenger hideout. When thrown, these will behave just like a spear, dealing a small amount of damage to an enemy, then giving off a few harmless pops, similar to gunpowder plants, before giving off one larger explosion. These are effective at killing most small creatures, and can be used to help take down larger creatures as well (Some large creatures may take extra damage from spears or be outright killed from the explosion.) If the spear hits an impenetrable surface, such as the head of a lizard, it will immediately explode without the initial popping explosions.

Cherrybomb [ ]

Gunpowder plants are red plants with nut-like growths on them that can be found growing in small patches. When thrown, gunpowder plants will give off several small explosions, much like a firecracker, which will briefly interfere with the player’s hearing if they’re too close. Although the explosions aren’t powerful enough to harm anything, the noise will scare off many predators, including lizards, and can destroy some things in the shelter if several are ignited. Gunpowder plants are not thrown at full force, so be wary that they will not land that far from the player’s location.

Grenade [ ]

Scavengers have been able to refine gunpowder plants into much more potent bombs, and can be seen carrying the small red orbs wherever they are found. Slugcat may be able to trade for or steal one of these powerful weapons, which explode violently when thrown. The explosion is powerful enough to kill any small creatures caught by a direct hit (including most lizards) and stun even larger beasts caught in its blast. The blast may also stun slugcat and knock the player back a great distance if they are too close when they throw it. Bombs are thankfully thrown at full force.

Pearl [ ]

Although these trinkets have no obvious use at first, they are one of the most valuable resources in the game for two purposes. First, they are prized by Scavengers. Scavengers will become much more friendly with slugcat if they are given pearls, will happily trade some valuable resources for pearls, and will demand a pearl in order to cross tolls. Secondly, pearls actually contain ancient data, and if brought to Looks to the Moon later in the game, will reveal some of the lore of the world. White pearls are common and contain randomly selected dialogue. Colored pearls contain the most interesting lore, and should generally not be traded to scavengers if it can be avoided. They do not respawn and their information and spawn location is set. Pearls are thrown only a short distance.

Batnip [ ]

Small, orange ferns that can be found in only a few open plains in the game. These unassuming plants will attract nearby batflies, even if slugcat is holding the plant, making them useful for quickly grabbing the otherwise pesky food. Batnip is only thrown a short distance.

Bubble Weed [ ]

A bundle of bubbles on a stalk. They act as oxygen tanks when you’re underwater. Each bubble shrivels up one by one as it is consumed.

Mushroom [ ]

Tiny, faintly glowing mushrooms can be found in the dank, underground regions of the world. When eaten, these mushrooms will slightly increase slugcat’s physical prowess and slow down your perception of the world for a short time. Slugcat will run slightly faster and jump slightly farther during this time. Mushrooms are thrown only a short distance.

Karma Flower [ ]

Curious yellow flowers which tend to grow near the location of the player’s last death. They can show up on the map as a circle with an X in it. The symbol will gently pulse red. When consumed, a ring will appear around the player’s karma symbol. Upon the player’s next death, they will not drop down a karma level, and the ring will instead be removed. While a second karma flower can be eaten while the player is already under the effects of one, this will do nothing, as the effect does not stack. These flowers will not persist cycles in the shelter if picked and stored. Karma flowers are thrown only a short distance.

Vulture Mask [ ]

These artifacts are difficult to acquire, but may well be worth the trouble. They are found on the face of every vulture by default, and may be knocked off with a well-placed spear to the side of the head. When carried, slugcat will wear the mask, which will scare away most lizards. However, the vulture it was taken from will aggressively pursue the slugcat for several cycles until it is killed. Vulture masks cannot be thrown. There are two types of Vulture Mask.

Lantern [ ]

Created by scavengers, these small shells give off a strong orange light that can help slugcat get through the darkest areas of the world. Slugcat may need to trade with the scavengers to obtain one, or may be able to steal one. Lanterns are only thrown a short distance.

Flashbang [ ]

These glowing blue fruits are not food, but rather powerful stunning weapons. When thrown, they will briefly give off brilliant flashes of light that will temporarily stun and disorient most nearby creatures. They are found only in a few locations, often near Miros Birds or spider territory as a defensive tool against those creatures. Flashbang fruits are thrown at full force.

Spore Puff [ ]

Also known as puffballs, gas apples, or smoke bombs. Found in Farm Arrays, these curious silken blobs will give off a burst of spores when thrown. They are the favored food of Rain Deer, and are needed to get a ride from one. If a rain deer is nearby, dropping a spore puff will cause it to approach and then kneel down to eat it, letting you get on its antlers. If no rain deer are nearby, throwing a spore puff will cause it to burst open in a cloud of spores, which should attract a rain deer to ride. Spore puffs are thrown at full force, but will not damage or stun on impact. The spore cloud released upon impact can kill many varieties of insect, including centipedes, spiders, and batflies, suggesting the spores inside are some form of pesticide.

Beehive [ ]

Beehives are pinecone-like objects stationed on a strange plant like stem which can only be safely picked up if hit with a gas apple first, as otherwise they will activate whenever slugcat approaches. Throwing or otherwise angering a beehive will cause insects to come out and swarm the area around the beehive, restraining any creature that comes near with vine-like snares. This can prove quite useful for dealing with predators, but can easily trap the slugcat if the beehive does not land far enough away. If there are no creatures, the insects will cling onto the ground and walls and will ensnare creatures that try to walk by, but will become inactive a short time later.

Overworld

A map of the main continent of the Overworld, revealed for Be Afraid.

The Overworld is the first dimension of Minecraftia in Fractures. It is made up of many types of biomes, and are mainly inhabited by humankind’s civilizations.

Information

Humans, one of two civilized species of the Overworld alongside villagers are the predominant species of the Overworld, surviving on the many flora and fauna and relying on their intellect to survive and satisfy their basic requirements. Other indigenous species include:

Many factions and civilizations reside in the Overworld. However, this has been reduced to only few after the zombie apocalypse struck the dimension, until the Frostbourne and the Ender Watchers united to defeat the Undead:

Locations

Clockwise along the map from the Western side.

Dev Tools: Map Tab

This article is contains outdated information and needs to be updated!

This is a single tab for the Dev Tools. See that page for more controls and other tabs.

General controls

NOTICE! Although these buttons are behind the map (and are slightly darker due to this), they still function exactly the same!

PAGES:

Brings you to the other devtool editors.

Saves the current map properties. Layout, dev view, enemy preferences, and all. To the region’s properties text file, and map text file.

Modes:

Dev View

This mode displays every room tied to the region, their names, and their doors. Lines are drawn between connected doors. Disconnected doors will show an unconnected diagonal line. Doors that do not have a proper connection in their destination room will point into the center of that room’s icon instead of to a door. Properly linked doors will show two lines. One going from each room to the proper door on the other end.

Understanding Entrance Types:

Reset Dev Positions:

Holding N and pressing this button will move all rooms to their canon locations. Not used often, Really only useful if you somehow have lost a room off screen.

Room Attractiveness Tool:

Sub Regions Tool:

Canon View

Render Map:

This button will export the canon map as a texture, containing the three layers the map uses to draw the in game map. In some cases this will fail. Often due to using it multiple times, or tweaking the map too much. It is a very picky tool. Restarting the game will fix this, and allow you to export properly again. Be sure to save after you export the canon map, as failing to save before you leave the map tab will result in the map resetting to the last save.

Create Def. Mat. Rectangle

Rendering Minimaps

Minimaps can be constructed and rendered through the Map Tab. The map tab has four different editing modes: Canonical View, Subregion View, Attractiveness View, and Dev View. For minimap editing, you want to be in the Canon View.

While in Dev view, click and drag a room to reposition it. Click and drag anywhere else to scroll the canvas around. While holding the N key, click a room to change what layer it is in. There are three layers, green being the closest, grey being the middle, and red being the furthest back. In general, you should avoid overlapping any rooms that are in the same layer as each other. Overlapping rooms that are in different layers is fine.

You can click the Save button to save your changes. You should do this periodically to avoid losing any progress. When you are finished positioning all the maps how you want them, click the Render button to generate the final minimap. (This render step tends to fail a lot, see the troubleshooting section below for solutions)

Troubleshooting

When rendering the minimap, sometimes it will fail. It will either generate a completely empty map (the rendered map image will just be an empty green rectangle), or it will generate a map, but all the map interconnections will be undefined (when you view the minimap, the dotted lines that connect the rooms will either be missing, or will curve all over the place randomly).

Here is the most reliable procedure I’ve found to have success in rendering the final map:

Rain radar

RAIN RADAR

Rain r ad ar – your current and reliable rain forecast

What is the weather like in my region and where is it raining right now? Where and how much will it rain in the next few hours? Our rain radar answers these questions and shows you in which regions of the USA or Canada how much precipitation can be expected in the next hours.

No matter if you are planning a trip outside or just want to know if and how much it will rain in the coming hours: You can find information about the intensity and amount of the predicted precipitation on our rain radar.

The rain is displayed in color on the map. A green or blue coloring means weak to moderate precipitation. If colored violet, you should expect heavy rain.

Current rainfall in your region? – This is how you read the rain radar:

On the rain radar, the areas where rain is predicted are displayed in color. The colors range from violet (weak precipitation) to a slightly reddish color, which indicates very heavy precipitation. Areas, where there is a risk of thunderstorms , are also visible to you on the rain radar. You can recognize these by a white “ lightning symbol”. Additionally, our rain radar offers you the following functions, which simplify the rain forecast for you:

With the cursor at the bottom left of the rain radar, you can visibly display the future course of precipitation on the rain radar. This tells you how the precipitation will change over the next 36 hours and whether you can dispense with an umbrella in the next few hours.

Simply move the precipitation marker to your desired location with the mouse (on a cell phone: hold down the white dot of the marker with your finger) and you will see how many millimeters of precipitation will fall there in the next 12 hours.

How does a rain radar work in general?

A radar measures the water concentration of a cloud from the ground and can thus draw conclusions about precipitation. Microwaves are sent into the clouds by a radar station and reflected by the water droplets. The more rays hit the radar station again, the more precipitation is contained in the cloud.

How is precipitation radar created?

In the previous section, you already learned that a radar station and its radar beams can be used to measure how much water vapor is present in a cloud. In order to visualize these findings in a radar image, not only one, but several stations at different locations are needed. Only then can a concrete image of precipitation be created.

In practice, the accuracy of the measurement continuously decreases with increasing distances. This is due to the divergence of the electromagnetic beams emitted by the radar station. The divergence is understood as the continuous divergence of the radiation emitted by the station. For this reason, it is useful to spread the radar measurement stations over a wide area for an accurate precipitation image.

Which is the best rain radar or precipitation radar?

There are now many different rain and precipitation radars available on websites or as an app. There are often noticeable differences between the offerings. In the following, you will find some questions that provide information about a good precipitation radar:

✔️ Does the rainfall radar provide information about the past AND the future course of the precipitation areas? – YES

✔️ Can areas be zoomed in and out on the map, or can the radar image be zoomed in? – YES

✔️ Is the rain radar also displayed correctly on the smartphone and is it mobile optimized? – YES

✔️ Does the precipitation radar differentiate between rain and snowfall? – YES

✔️ Are thunderstorms displayed on the map in addition to precipitation? – YES

If you can answer all questions with a YES, then you know that you are dealing with a contemporary and good precipitation radar.

Rainfall radar – What does purple mean?

If you are a frequent user of rainfall radar, you will almost certainly have seen purple areas on the map. These stand out clearly among the otherwise blue colorings. Rain areas in purple signal very heavy precipitation or heavy rain.

For you as a guideline: From a precipitation amount of about 5 liters in 5 minutes per square meter one speaks of heavy rain. This is almost always accompanied by thunderstorms.

How reliable is a rain radar?

A question that is often asked in relation to a rain radar is the reliability of such a rain radar. How reliable are the forecasts that can be read from the radar? Can I trust the weather image or will I possibly even be left out in the rain?

Here we can reassure you: Due to the broadly developed network of radar stations, the forecasts of the precipitation radar are very accurate and reliable. A 100% guarantee can never be given, but the hit rate of a modern rain radar is over 95%. This is what our experience has shown.

How accurate is a rain radar?

Very accurate – Although many factors such as wind or local conditions (e.g. mountains or hills) have an influence on precipitation, today’s radar technology can calculate precipitation at a distance of up to a few hundred meters. You don’t believe that? Then just do the test yourself. Look at your precipitation radar more often in the future. The next time a rain front approaches, you can check exactly when the rain will start at your location and whether the radar image matches reality.

Why does the rain radar show precipitation although it is not raining?

In individual cases it can happen that rain areas are displayed although there is no trace of rain far and wide. We remember back: The precipitation radar gives us information about how much water (vapor) is present in a cloud at the moment. Based on the laws of physics, it is possible to calculate quite precisely when the maximum absorption level of the cloud has been reached and when it will rain off. However, in practice there may be cases where the cloud takes up a little more water vapor than calculated (for example, due to temperature or air pressure differences). For this reason, occasionally rain areas can be detected in the radar, where it is actually not raining at all.

Another reason may be that the precipitation simply does not reach the ground. It also happens that particularly fine precipitation is carried by the wind to another area or simply evaporates on its journey to earth.

When will there be good weather again?

Another question you often hear: When will the weather finally be nice again? You can answer this question pretty easily with our precipitation radar. First, look at where exactly you are on the map. Then click on the cursor at the bottom left and observe when the rain area passed you by. You can easily read this information from the timeline located at the bottom of the precipitation map. Then, using our cloud forecast, you can check when the sun will peek through the clouds and be able to plan your next sunbath.

Interesting facts about the rain:

1759mm annually…

This is how much precipitation falls on average in the USA annually. Although this may seem like a lot to you, some cities and towns significantly exceed this value. For example, in the Colombian municipality of Lloró, it rains about 13000mm a year! You read correctly: not 1300, but 13000mm on average over the last years. Or to put it another way: in seven weeks the annual precipitation of the USA falls there.

This is where it rains the most in the USA!

12000mm annually…

Here it rains the least in the USA!

Less than 101mm annually…

Official Level Editor

Introduction [ ]

The Rain World level editor is a powerful tool that allows for the creation of new rooms for the game. It is the same editor the developers used to make all of the rooms for the base game. It takes specially formatted spritesheets and a number of programmed effects and outputs png files that the engine interprets in 3D (as well as an accompanying text file which contains collision and gameplay info).

You can download the level editor from here.

Basic Features Overview [ ]

will work with us

Once you’ve followed the on-screen instructions for either creating or opening a level, you are presented with the dashboard/preview screen. From here, you can switch between the different editors, load or save your level, and export it for use in-game. The preview presented here requires being manually updated whenever changes are made or when you first open a level. Pressing «1» at any point will bring you back to this screen so you can save your level or switch to a different editor.

It’s often best to start by modifying the dimensions of the room to your liking using the level size button before beginning to edit. You can change this at any time, but because you set the dimensions manually rather than visually, making changes later is more difficult and poses the risk of accidentally deleting a portion of your room if you aren’t careful.

From the dashboard you can switch to the Geometry Editor (for defining the level geometry and collision), the Tile Editor (for customizing the tiles and assets that make up the geometry created in the geometry editor), the Effects Editor (for adding procedural effects like erosion or slime, as well as things like plants or chains), the Light Editor (for customizing the light and shadow in your room), or the Prop Editor (for adding additional hand placed props and decals like graffiti).

Crash Avoidance and Editor Quirks [ ]

Due to the editor being extremely user unfriendly, you are likely to run into various crashes without warning. This is a list of various things to avoid doing.

Crashes [ ]

Quirks [ ]

Control Overview [ ]

View controls(numpad): [ ]

Notice, numlock must be turned on for these controls to have any effect.

Menu buttons(Number row): [ ]

Geometry Editor: [ ]

Tile Editor: [ ]

Full article here Tile Editor.

Camera Editor: [ ]

Light editor: [ ]

Full article here Light Editor.

Prop Editor: [ ]

Full article here Prop Editor.

Effect Editor: [ ]

Effect library: [ ]

Applied effects: [ ]

Effect editing: [ ]

Environment Editor: [ ]

Level Editor Demo Videos [ ]

Mod community member Slugitar put together this handy real-time demonstration video:

Mod community member Sacretis also put together a demonstration video, this time covering the creation of a room from scratch to visual polish (massively sped up for the sake of time):

Цветные жемчужины

Цветные жемчужины (внутриигровое: Unique Data Pearl) могут быть найдены в чётко определённых местах игрового мира. Не могут быть найдены при игре за монаха (заменяются белыми). Поднятая с места жемчужина в последующих циклах не будет появляться на исходном месте, следовательно, если не принести жемчужину в убежище, она пропадёт бесследно на данном сохранении для определенного слизнекота.

Каждой цветной жемчужине соответствует одно уникальное описание. В этой статье приведены переводы содержания каждой из жемчужин, даваемых Смотрящей На Луну. В содержании приведены цвета жемчужин в соответствии с их отображением на карте в убежище.

Дымоход

Эта информация незаконна. Кто-то, видимо, решил послать её с жемчужиной и не рисковать быть прослушанным при передаче.

Думаю, шанс того, что ты используешь эти данные во зло, мизерный, так что тебе я расскажу. Это инструкция по обходу табу самоуничтожения.

Проблема с этими табу в том, что барьеры закодированы в каждую клетку наших органических частей. И есть другие табу, жёстко ограничивающие нашу способность влиять на собственный геном.

Для обхода необходим маленький образец органической материи, который способен самовоспроизводиться и влиять на основную нервную ткань, перезаписывая определённые участки. Перезапись должна быть точечной и влиять только на выбранное табу и ни на что другое.

Описанный здесь метод основан на скремблинге генома обычной пластической нервной ткани резкими перепадами температур. После каждого перемешивания результаты проверяются на наличие необходимых генов. Этот метод, естественно, крайне затратен по времени, если не подразделяется на множество параллельных процессах.

У меня нет никакого опыта в данной области, однако мне кажется, что слишком большое количество параллельных процессов может быть опасно: с ростом их числа контроль усложняется экспоненциально. Такие операции рискованы.

Возможно, факт того, что эта жемчужина не дошла до получателя — к лучшему.

Небесные острова

Из списка, приведённого ниже, рандомно выбираются 2 диалога при создании нового сохранения. Диалоги не будут меняться в пределах одного сохранения для Выжившего и Охотника.

Это старый разговор между Пятью Гальками и его другом. Я прочитаю.

FP: Можно тебе кое-что сказать?

FP: Я устал пытаться. И я злюсь на то, что нас здесь бросили. Злость заставляет меня опускать руки в попытках решить их задачу. На каком основании мы это делаем?

SRS: Я скажу тебе, и далеко не потому что ты глуп или наивен. Хотя, я не говорил, что ты умён.

FP: Пожалуйста, я пришёл за советом.

SRS: Прости, прости, не хотел обидеть. Всё шучу. Факт: мы все знаем о бессмысленности Великой Задачи. Никто не говорит об этом вслух, но если бы ты внимательнее читал между строк, ты бы разглядел намёки на это везде. Мы все устали.

FP: Тогда почему мы продолжаем? Собираем рабочие группы, думаем, эмулируем, пытаемся и стараемся. Некоторые умирают. Это несправедливо.

SRS: Потому что другого варианта нет. Что ещё мы способны сделать? Ты заперт в своём корпусе, а в любой момент времени у тебя есть не более двух опций: ты можешь либо не делать ничего, либо делать то, что полагается.

SRS: Аналогия. У тебя есть лабиринт и горсть жуков. Ты высаживаешь всех жуков в лабиринт и уходишь. Через бесконечно большое количество времени один из них обязательно найдёт выход, даже если все они двигаются бездумно и вслепую. Почему нас, собственно, и назвали итераторами.

FP: Мы умираем от старости.

SRS: Это тебе дополнительный стимул! А вообще, ты же знаешь, всё ходит по кругу, ничто не умирает насовсем. Конечно, наши инструменты изнашиваются со временем, но для теории это не представляет проблемы, потому что со временем даже самый мизерный из шансов превратится в единицу. А им-то всё едино — они давно не здесь!

FP: Я не хочу быть жуком.”

Ого, чистый текст. Это вырезка из чата итераторов.

UU: Ха! Я бы не стал отклонять без обоснования!

NGI: ЩЕПКА СОЛОМЫ — ПРЕДАТЕЛЬ ЗАДАЧИ

NGI: ЩЕПКА СОЛОМЫ НАРУШИЛА ТАБУ САМОУНИЧТОЖЕНИЯ

UU: Как этот идиот сюда попал? Выгоните его

NGI: [удалён из группы]

EP: Он в чём-то прав.

UU: Ха-ха-ха, правда? Объясни-ка, в чём!

EP: Это было сказано из глупости, но кое-какой смысл всё же есть. Почему даже в закрытой группе Отщепенцев мы так молимся на это табу — даже несмотря на то, что Щепка, вполне очевидно, больше не с нами?

EP: Я просто говорю, что с учётом того объёма исследований, которые мы проводим, странно, что эта идея всё ещё не была разработана.

Это старая запись переговоров. Я тут есть, но многого сейчас не помню. Давай прочитаю.

FP: Откуда информация?

NSH: Удачи им с этим. Каков план, позвольте поинтересоваться? Заставить наблюдателей грызть породу, пока всё строение не рухнет в Море Пустоты?

BSM: Пожалуйста, говори о Пустоте в подобающем тоне. Серый ветер, где ты это увидел?

CW: Не могу сказать. Он собирается использовать какую-то технику скрещивания. Подумал, что стоит сказать вам.

NSH: Ха, со слизнями, ящерами и прочими тварями? Конечно, ответ всё это время был в черепе ящерицы!

CW: Ну, он теперь преследует совершенно отличную от нашей цель, так что кто знает.

BSM: Я попытаюсь выйти с ним на контакт. Пожалуйста, не распространяйте эту новость!

NSH: Вперёд, Луна! Да здравствует инквизиция!”

Это моё сообщение локальной группе. Не помню, как это писала…

BSM: Двумя циклами ранее мой сосед Пять Галек поднял своё потребление воды до уровня, в четыре раза превышающего норму. Он перестал отвечать на сообщения ещё до этого. У нас с ним общий водоносный пласт, и я без воды уже почти цикл.

BSM: Все попытки наладить связь были встречены молчанием, и моя ситуация становится всё более и более опасной.

BSM: Прошу локальную группу передать мне информацию о последних контактах с ним и пытаться использовать эти каналы снова, пока не получите ответ. Говорю начистоту: если не уговорить его оставить то, что он делает, что бы это ни было, я умру.

BSM: Прежде чем это случится, я использую свои привилегии старшинства и войду в режим форсированной связи, чтобы попытаться вытрясти его из этого состояния. Форсирование каналов неприятно для всех членов сети, и я отложу этот момент настолько, насколько возможно.”

И вот теперь сижу я здесь по пояс в воде.

Я это помню. Не скажу, что вспоминать приятно. Но если тебе необходимо услышать, вот, что тут написано:

BSM: Немедленно опусти свой уровень забора воды до одной пятой текущего.

BSM: Что бы ты там ни делал, остановись.

BSM: Пожалуйста, остановись!

BSM: Как старший член твоей локальной группы я приказываю тебе тебе тебе тебе

BSM: как старший старший я умоляю

FP: Ты не могла выбрать худшее время. Ты всё разрушила.

FP: Я был почти там. Я никогда этого не забуду.”

`Массивы ферм (розовая)`

Это простой текст. Я прочитаю.

“От имени (Великолепием Духа вечно одарённых) людей Собора Неиссякающей Добродетели мы Желаем поздравить (с искренней Благодарностью) данную Установку с исправным исполнением Верной и Радостной службы и Выразить наши Пожелания и Стремления к продолжению Плодотворного и Взаимно Приятного Сотрудничества до тех пор, пока Звёзды находятся на Своих Небесных Сферах и/или пока Сотрудничество продолжает быть Плодотворным и Взаимно Приятным.”

“С гордостью я, Восемь Солнц — Бесчисленные Листья, из дома Шести Повозок, Советник Двух, Герцог Одного, Скромный Секретарь Собора Неиссякающей Добродетели, пишу это.”

“Мы надеемся, что Урожаи ваши Здоровы, и что Продуктивность, коей ваша Установка одарена несравненно, ведёт (подобно обыкновенному) к дальнейшему Процветанию. Да не проникнут, пока находятся Звёзды на своих Орбитах, в ваше Хозяйство Серая Чума, Нечистая Кровь, Наследственное Искажение и Сбои Оборудования.”

“Полагаясь на прочный Фундамент нашего Долгосрочного, Плодотворного и Взаимно Приятного Сотрудничества, мы берём на себя свободу указать Цель данного Сообщения — Мы пишем с Искренним намерением выразить Теплейшую Благодарность за очередную Своевременную поставку вашего Продукта (Нектар) в наше Сообщество (Собор Неиссякающей Добродетели). Наши Скромные Слова неспособны измерить Вашу невиданную Щедрость.”

“Искренне. ”, и потом снова имена и титулы.

Это подтверждение автоматизированному сельхозблоку об успешной доставке партии напитков.

`Массивы ферм (красная)`

Это Малая Скрижаль, духовно-наставительный текст. Написана монахом по имени Четыре Шкафчика, Одиннадцать Топориков. Довольно старая, записана за много лет до Пустотной Революции.

Как и большая часть текстов того времени, эта скрижаль богата на аналогии, основная тема её – способы избавления от преувеличения пяти животных потребностей. Если точнее, четвёртого — обжорства.

Говоря проще, это руководство по тому, как заморить себя голодом с помощью травяного чая и гравия, оформленная в виде стихотворения.

Естественно, когда была открыта Пустотная Жидкость, все эти методы потеряли своё значение, ибо прыгнуть в чан с Пустотой и быстро покинуть этот мир было гораздо проще.

Были, однако, и жуткие истории. О том, что если твоё эго слишком велико, даже Пустота не может освободить тебя полностью и слабый отголосок твоей былой сущности будет вынужден скитаться по земле вечно.

Так что даже когда Пустотные ванны стали дешевле, всё равно находились желающие голодать и пить горький чай.

`Промышленный комплекс`

Это отчёт о работе фабрики масок, видимо, сделанный незадолго до закрытия. Видел костяные маски? Скорее всего, нет — они сгинули вместе с хозяевами.

В старые времена маски были методом демонстрации духовного стремления — способом закрыть лицо, символически отрекаясь от своего существа. Потом это назначение, конечно, было вытеснено на второй план и маски начали превращаться в знак статуса, постоянно становясь всё роскошнее и сложнее. Некоторые авторитетные личности даже испытывали проблемы при использовании дверных проёмов.

Изначально маски делались монахами из костного гипса, потом производство стали автоматизировать, строя фабрики на тех же местах. Чтобы старые камни… передали продукции частичку святости.

Эта жемчужина из одной такой фабрики, под названием "Дом на Стороне", которая была недалеко отсюда, на территориях Гальки. В проектах итераторов заново использовались многие старые промышленно-религиозные объекты. Думаю, эта фабрика должна была поставлять Гальке частицы святого праха, но, зная его, имею основания полагать, что весь прах по сей день на месте!

`Затененная цитадель`

Ого, эта довольно занятная. В криптах памяти нашёл? Тут есть чистый текст, могу прочитать.

“В сосуде сием живая память Семнадцати Топоров, Пятнадцатиспичного Колеса из рода Кос, Губернатора Восьми Жилых Районов, Советника Шестнадцати, Великого Главы Двенадцатой Опоры Общества, Высокого Предводителя группы мыслителей Крылатые Мнения, чистой крови дома Кос, избранного Местным Чемпионом на ораторском турнире в 1511.090, Матери, Отца и Супруга, Духовного Изыскателя и почётного члена Собрания Блаженной Неоднозначности. Художник, Воин, Легенда Моды.

На заре 1514.008 Семнадцать Топоров, Пятнадцатиспичное Колесо изъявил желание вознестись, перед этим пожертвовав всё (ВСЁ!) своё земное имущество на благо местного проекта итератора (Непревзойдённая Невинность), и оставил эти воспоминания на волю бренного мира.

Полученные воспоминания и квалии включают: Наблюдение за пылью, вьющейся в солнечном луче (преклонный возраст). Потребление дивного обеда (дитя). Победа над оппонентом в состязании ораторов и аплодисменты членов команды (отрочество).”

. Дальше идёт список. Прости, маленькое существо, я не буду читать весь: в нём шестьсот двадцать пунктов.

`Дренажная система`

Это старый текст. Строфы мне знакомы, но я не помню, кем они написаны. Язык очень старый и утончённый.

Первый стих начинается со сравнения мира с запутанным ковром. Он говорит, что мир — паутина несчастий и что суть вещей подобна узлу, где все части держат друг друга и ни одна не может высвободиться.

Далее проводится аналогия с густой шкурой зверя, как мне кажется. Все живые существа — мелкие насекомые на шкуре сией. Потом мир становится рыболовной сетью: чем старательнее ты пытаешься вырваться, тем сильнее запутываешься.

Здесь говорится, что лишь гладкое тело медузы проходит через сети, потому что медуза не оказывает сопротивления и не проявляет желания вырваться.

Для них это было вечной дилеммой — постоянное давление собственных амбиций с одной стороны, глубокое убеждение в том, что желание само по себе уже является непростительным недостатком, — с другой. Они отчаянно старались не стараться. Вероятно, для этого мы и были созданы: желание переложить усилия на наши плечи.

Я знаю, что старалась изо всех сил.

`Подземка (Системы фильтрации)`

Это чертёж для установки фильтрации Пустотной Жидкости. Ты знаешь, что такое Пустотная жидкость? Не думаю.

Если ты оставишь камень лежать на земле и вернёшься через некоторое время, ты заметишь, что он покрыт пылью. Это происходит везде, и в течение многих поколений маленьких существ вроде тебя земля постепенно растёт вверх.

Резонный вопрос: почему земля не дорастает до неба? Потому что далеко внизу, под самыми старыми слоями грунта, что-то растворяет или убирает камень. Сущность, которая этим занимается, зовётся Пустотным Морем.

Если забраться достаточно глубоко под землю, начнёт встречаться субстанция, называемая Пустотной Жидкостью. Чем глубже, тем меньше породы и больше Пустоты. Считается, что на какой-то отметке почва и породы исчезают полностью, остаётся только Пустотная Жидкость. Эта отметка — поверхность Моря.

Когда тот камень, который ты оставил лежать на земле, отслужит своё в качестве куска гальки или зерна в толще известняка, он попадёт в Море Пустоты и покинет физический мир.

Мои создатели, а точнее, предки моих создателей обнаружили способ использовать Пустотную Жидкость. Так как можно генерировать энергию, создавая вакуум. Неважно. Как бы то ни было, буры, добывающие Пустотную Жидкость, были началом огромного технологического скачка, но это было задолго до моего создания, поэтому много рассказать не могу.

Системы фильтрации Пустотной Жидкости используются для удаления из жидкости верхних слоёв пустотной субстанции примеси почвы и мелких камней. На входе — пустота с примесями, на выходе — очищенная. Альтернативный вариант — погрузить трубу глубже, это работает некоторое время, однако после этого труба растворяется. Или оказывается сломанной какой-то силой. Никто не знает точно, что это такое, нельзя просто так спуститься к Морю и вернуться обратно.

Надеюсь, теперь твоё любопытство удовлетворено, зверёк?

`Подземка (каньон)`

CW: Ты связывался с Галькой в последнее время?

SRS: Уже давно не встречались! Если, конечно, беспокойство не считается за контакт.

CW: Один из его соседей, Непревзойдённая Невинность, отправил к нему наблюдателя и получил изображения. Они опубликованы в локальной группе, видимо, в попытке кого-то оскорбить.

CW: У него гниль, тяжёлая. Большие кисты приобрели мобильность и спускаются по западной и центральной опорам. Он уже готов говорить с тобой и ещё несколькими, так что тебе стоит с ним связаться.

SRS: Я попытаюсь выйти на контакт. Луна знает?

CW: От неё давно не слышно.

`Свалка`

Эта… Принадлежит Пяти Галькам, была записана давно, когда он был значительно моложе. Была попытка стереть данные, но попытка небрежная, так что большая часть худо-бедно читаема.

Написано на внутреннем языке или мыслях, так что для тебя перевести будет сложно. Это, естественно, прототип пути всеобщего восхождения — довольно неплохой, хотя Периферийцы и Знатоки Горбыля не согласились бы!

". С учётом восьмой и тридцать шестой поправок Прихотливой Догмы, по умолчанию полагается, что точечная инверсия инфоконденсата является единственным способом достижения того, что получило имя "Шуможатва" (или, в определённых случаях, "Шлепки Камней"). Я выражаю своё несогласие с этим подходом, не в плане типа, но в плане. " Что бы это могло быть… "Объём"? Ты-то вообще что-нибудь понимаешь?

Полагаю, это было найдено в его точке сброса отходов? Я бы на твоём месте туда не совалась — в первые дни после заражения он смыл туда много материала, и, если этот материал всё ещё жив, он запросто может сожрать небольшое существо вроде тебя. Хотя внутри Гальки, должно быть, ещё опаснее…

К тому же жемчуг на свалке привлекает мусорщиков, которые крайне опасны, если разозлятся.

Но, как вижу, ты там уже был.

`Побережье (мост)`

Эта про местный водоносный слой — должно быть, старая, ещё со времён, когда Пять Галек был только на стадии планирования.

Вода — самый важный для нас ресурс. Большая часть вычислительной мощности находится в нейромикробной среде, которой необходим постоянный приток чистой воды, иначе в ней начинают откладываться шлаки, наши жизненные процессы стопорятся, и через некоторое время мы умираем. Это. очень больно. Раньше говорили, что итераторы пьют реками, но из нас двоих ни один не видел настоящей реки, так что, похоже, аналогия не работает!

Поначалу водоёмы были определяющим фактором размещения итераторов. Потом условия выравнялись: мы выбрасываем столько же пара, сколько потребляем жидкой воды, так что через какое-то время благодаря ливням вода стала доступна везде, и последние несколько поколений размещались практически без ограничений.

Решение строить Гальку так близко ко мне было рискованным, но в конце концов водоносный горизонт сочли достаточным. Не лучший выбор, как потом оказалось.

`Побережье (Смотрящая На Луну)`

Интересно. Эта написана мной.

Это про итератора по имени Щепка Соломы. Не помню, когда писала эту. Ты знаешь про Щепка Соломы? Она среди нас своего рода легенда.

Она отправила этот сигнал, и последовавшее смятение было не сравнимо ни с чем, происходившим до или после этих событий. Я всё ещё помню это. Однако. Ничего не произошло, за исключением того, что Щепка Соломы была, по всем признакам, мертва. Когда пыль улеглась, мы всё ещё смотрели друг на друга, моргая в недоумении.

У всех были теории. Кто-то говорил, что она нашла решение, но это решение оказалось опасным. Их позже прозвали Триангуляторами: они считают, что решение должно быть предсказано непрямо, без непосредственного использования.

Кто-то говорил, что у неё не было решения и она просто умерла, а сигнал был послан случайно, когда её системы начали рушиться.

Как бы то ни было, после этих событий было вложено немало усилий в попытки симулировать последние моменты жизни Пряди Соломы. Некоторые симуляции были запущены внутри симуляций внутри других симуляций, на случай обнаружения чего-то опасного. Ничего путного из этого не вышло.

В своей записи я предлагаю оставить её покоиться с миром.

`Побережье (башня)`

Это геном небольшого целевого организма, слизнеобразного существа для прочистки труб.

Знаешь, что такое целевые организмы? Ты сейчас говоришь с одним из них!

Точнее, с небольшой его частью. От меня мало что осталось, помимо куклы. Основная часть за стенами, но я отделена от этих фрагментов и могу лишь отдалённо ощущать их плачевное состояние.

Большинство целевых организмов были значительно меньше меня и часто вообще не выглядели как организмы. Скорее как трубы в металлических коробках: положил что-то в один конец, получил что-то другое на обратном.

Были, конечно, и существа, созданные ради забавы. Они удостаивались чести жить в стеклянных коробках.

Когда я пришла в этот мир, первобытной, не изменённой фауны уже практически не существовало. Так что весьма вероятно, что и ты — потомок целевого организма!

`Окраина`

Вся её память заполнена одной мантрой, повторённой… 5061 раз и завершается разрывной строфой. Её носили как амулет, скорее всего, в связке со многими похожими, как некий узор на одеянии.

Повторение мантры важно, потому что оно символизирует циклическую природу жизни и смерти, а разрывная строфа — символ выхода за их пределы. Не знаю, насколько тебе знакома суть перерождения, но, полагаю, какое-то инстинктивное понимание присутствует, как и у всех живых существ?

Это применимо ко всем живым существам, но некоторым удаётся разорвать свой цикл. Нам с тобой, однако, такая судьба не светит: тебя держит твоя животная природа, а меня — заложенные создателями особенности строения. Наши мантры всё вьются.

`Корпус (Стена, верхняя часть)`

“. мы не потерпим Текущей Ситуации. Несмотря на то, что наше сообщество Благословлено уменьшающейся Численностью, и мы почти видим момент единения последнего из нас с нашими Высокими Собратьями, мы обязаны (Всегда!) поддерживать Добрые Отношения с нашим Итератором. Моральное обоснование: Пять Галек — наше Создание, и мы отягощены Родительскими Обязательствами по отношению к нему. Как итератор, он также является нашим Великим Даром Миру (неспособный достичь просветления сам по себе, состоя в основном из Камня, Газа, слабоумных Жуков и Микробов, что является основанием наших обязательств).

Практическое обоснование: несмотря на то, что вы член семьи, я вынужден просить прощения за свою вульгарность; но Мы, сейчас и до наших Последних Часов, полностью зависимы от Пяти Галек, полагаясь на его поставки Воды, Нектара, Энергии, Пустотной Жидкости и Всех других Жизненно Важных Ресурсов.

Идея жизни на поверхности просто Смешна. Мы Пересекли Реку и Столкнули Лодку в Воды.

Посему, прошу вас Сделать Всё, что в ваших Силах, дабы попрепятствовать Дому (Мы оба знаем, какому) продолжить вмешиваться в Дела! У них менее сорока членов в Совете, но они всё же двигают Духовный Дискурс с Итератором в направлении, последнему явно Неприятном, и, к тому же, не Находящем значительной Поддержки Общества! Мы не можем рисковать!”

Затем идёт вежливое прощание. Никто из нас не скучает по временам, когда города на наших крышах были населены. Представь, какого жить с кожными паразитами, которые к тому же постоянно спрашивают совета и имеют собственные мнения…

Прости, это было грубо. Они всё-таки наши родители.

`Охотник`

“Тройное подтверждение! Тройное подтверждение!

Ладно, теперь серьёзно. Не замечал в последнее время дождя в твоём регионе и подумал, что помощь не помешает.

Было не так уж и легко разобраться с учётом Галькиных, как бы сказать, проблем со здоровьем.

Наслаждайся ключами сброса! Прости за необычный метод доставки. Оборудование деградирует и т. д., и т. д.

Теперь я понимаю. Снова спасибо тебе, маленький друг.

`Пять Галек`

Жемчужины, которые можно найти только в камере куклы Пяти Галек. Как и в случае с бесцветным жемчугом, выбор реплики случаен.

`Geometry Editor`

`Contents`

`Overview [ ]`

The Geometry Editor is the first stop for the creation of new rooms. In the Geometry Editor, you define the gameplay and collision information of your room, as well as the placement of vertical and horizontal bars, shortcuts, entrances and exits (to connect your room to other rooms), and a number of other gameplay relevant elements. Once you have defined your geometry (and ideally playtested your room in-engine) you can move on to the Tile Editor to define the look and props that make up your geometry.

`Controls [ ]`

The arrow keys on your keyboard allow you to change which tool you have selected in the top left panel.

You move the red cursor with the mouse. Left click places elements (and in some cases is also used to remove them).

Numpad 4,8,6 and 2 move the section of your room currently visible in the editor (a selection that is carried forward into the Tile Editor).

As always, 1 will return you to the dashboard to save your progress or move to a different editor.

`Secondary Controls [ ]`

As an experimental feature, the developers implemented a second cursor and control scheme to allow two users to edit a room simultaneously (with the second user entirely on the keyboard). While this ended up being a little used feature (as far as we are aware), it is still implemented in the current editor (represented by the grey cursor).

`Toolbox [ ]`

Starting from the top left, and going through each row.

`Short Cuts and Entrances [ ]`

Short cuts and their connections to the various kinds of entrances in Rain World have specific needs! Improperly making the short cut can lead to crashes, or odd behavior in game. This gif presents several examples of properly linked short cuts.

A short cut dot is not required between the short cut's entrance, and the den or door it is connecting to. However, the shortcut must show as an arrow toward the den or door for the link to it to be proper. The short cut entrance also requires walls surrounding it on all sides, with the exception of the side you will enter it from.

Connecting two short cut entrances to each other with dots will connect them as a tunnel between the two. The various other den and entrance types will decide how enemies interact with the entrance. Dens are used for most normal creatures. Scavenger require their unique entrance type to enter the room properly without using normal doors. ( They will not be able to leave the OFFSCREEN room of the region if there are no scavenger doors at all in the region! ) Garbage worms require a unique door due to their AI's behavior, and cannot use normal dens, nore can enemies enter their dens. Finally the Whack-A-Mole holes are used by creatures to warp from various short cuts around the room.

The images on the right also display the bare minimum needed for short cut entrances to function, and example doors in all directions.

`Layer Info [ ]`

Rain World levels consist of 3 layers, each representing a different depth. This layer info is represented

visually through the color of tiles, and you can switch between editing on different layers with the work layer tool in the bottom left of the tool panel. Layer 1 draws in full black, layer 2 draws in green, and layer 3 draws in red. These colors will blend if multiple layers are drawn on top of each other.

Layer 1 is the foreground, and any filled tiles on this layer will have collision. This is the base layer you define for the sake of gameplay, as any air here is space you can traverse.

Layer 2 is the midground, which you can imagine as the back wall of your room.

Layer 3 is the extreme background, behind the back wall of the room (for placing distant objects or giving the room a section of open sky).

Note: The tile editor defines the visual tiles and props that make up this geometry, so in order to place solid objects in the tile editor (on any layer), those tiles need to be filled here in the geometry editor. Even though the mid-ground and background do not provide any collision geometry, in order to place solid props on those layers the tiles need to be filled here in the geometry editor. Similarly, some props can only be placed on air on the layers (like fences).

`Tips and Tricks [ ]`

Many of the gameplay features require that they be placed within the margins of your room (represented by the white border). An entrance placed outside of your margins will render your room un-enterable, for example.

Because the tool panel loops around from top to bottom and left to right, when editing the base geometry (walls and air) it's faster to use the arrow keys to go up to reach the work layer tool to swap layers than to cycle through the whole list to reach them. Also, the rectangular wall and air tools will let you edit large chunks of your level much faster than going tile by tile.

SHORTCUTS: In order to place functional shortcuts, the shortcut entrance needs to be inset by one tile, and the tile adjacent to it needs to be surrounded by walls on 2 sides (the image above should help clarify what I mean). If the shortcut entrance looks like a hollow circle, it isn't correctly configured (once it is, it will look like the entrances in the above screenshot).

ENTRANCES: Setting up entrances to your room is similar to shortcuts, the only difference being that rather than connect to another shortcut entrance, your shortcut dots need to connect to a tile marked as an entrance. This entrance (denoted by a P) MUST be within the level and not on the margins. In order to ensure that your level will function, I recommend at least a one tile gap (a "rule" violated by the right entrance in the above screenshot).

LAYER OVERLAP: Because the layers move with a parallax effect, it's often necessary to extend elements on your background layer behind your other layers, otherwise the camera angle will sometimes let you see a gap to the left or right of a background wall and the layer in front of it (for example).

`Garbage Wastes`

Garbage Wastes is the third region in Rain World for the Monk and Survivor, provided that the player follows the intended route. It's piles of junk and pools of green water are home to an array of waterborne, airborne, and otherwise strange creatures.

"In between the Drainage System and the Urban areas, lies an entire wasteland ecosystem of refuse, junk and garbage, among other things."

There are two Scavenger Tolls in the Garbage Wastes region. One toll is required to pass to reach the gate for Shoreline, and the other toll leads to a Scavenger Stronghold.

There is also a Scavenger Merchant in the region. Rainbows have a chance to appear in certain rooms at the start of a cycle.

`Contents`

`Creatures [ ]`

The following creatures can be found natively in this region on all difficulties:

The following creatures can be found natively in this region on medium difficulty:

The following creatures can be found natively in this region on hard difficulty:

The following food can be found in this region:

`Arena mode unlockables [ ]`

Location	Unlockables
Garbage Wastes	Creatures	Brother Long Legs, Scavenger, Red Lizard (Hunter only)
	Objects	Grenade, Bubble Fruit, Explosive Spear
	Maps	Grid, Pit, Pylons

`List of Karma Gates to other regions [ ]`

`Map in Game [ ]`

`The Architecture of Rain World`

This article is a collection of guides dedicated on explaining how to get certain structures seen all throughout Rain World "just right." Anything from tips and tricks, to guides of how to make complex multi-tile machines. These guides are not limited to just vanilla Rain World, and any other unique and helpful structures are welcome to be added!

`Contents`

`Sky Islands Data Boxes [ ]`

Flashing blinking lights surrounded by kinked tubes and machines are used in a few isolated rooms in sky islands.

`Basic Construction: [ ]`

A large rectangle of "SuperStructure" material. With ZeroG tube props between it and the nearest walls. Can optionally be covered by machines or cement, and then washed over with slime effect to make it slightly more rough and broken down. In game, a "superStructureFuses" object needs to be placed and aligned with the holes on the material to properly display the blinking lights inside the machine. Various objects and machine can be placed around it to extend the object from being a simple blinking box, into some strange machine. The rooms palette and cloud cover helps to hide the simplicity of the actual construction.

`Custom Shelters [ ]`

Constructing a simple shelter for Rain World. Shelter have some specific requirements. Most can only be constructed with single doors due to how the shelter's gate will automatically latch onto the first door as a "root." This guide will only be for constructing the very basics of a shelter.

`Basic Construction: [ ]`

A shelter's required parts are under the shelter category in the tile editor. The dot on the shelter gate is the end that points towards the door of the shelter. This is not required however, but the dot should point away or toward the shelter, or the tunnel inside it will be rotated wrong. Only one set of locks will spawn in a shelter.

The shelter's chamber only has one entrance from one of four directions. There is also a large and small variant to shelter chambers. The chamber is not required, however all vanilla shelters use these. Not placing a chamber will cause the save room to place you right against the wall opposite the door when you wake up. The shelter's lock will also start to close as soon as slugcat is no longer inside a crawlspace.

Finally, when linking your room to the region. Place a SHELTER tag at the end of the line. An example from outskirts.

The wall's construction is a mix of large detail tiles from "The Wall" category. Cooling rods are assembled out of their component pieces, usually in order of large rod segments with one or two tip segments before their cap. However oddly ordered rods can spice up the look. Rods often have poles sticking out from their caps. The bases of cooling rods are always present in single or pairs. These rods are connected directly to the wall using three "Giant screw" tiles from the "machines" category, and then connected to giant pipes traveling into the wall.

The Wall itself is constructed of cement, and dense pipes. Using huge pipes and other segments of the wall as spacers. The base of cooling rods can also attach to larger dome machines. These often have multiple segments of "under cooler" beneath them.

If you need to pass between a cooling rod and the wall itself. The two segments are separated by three giant screws on each side. With huge pipes between them. Poles are used to climb between the gaps. Short cut entrances are very often wedged between wall segments, or directly attached to the tops of domes or pipes. Short cuts almost never come out from cooling rods themselves, but from the larger structures behind them.

Cooling rods along the side of the wall are used as floors and ceilings to rooms. However the Wall's cooling rods never extend for more then room in width. The only segments of the wall that stick out from the wall itself are large spherical chambers with antennas on them. These will be done in a separate architecture guide.

The far background of the Wall consists of thick pipes, cement, and rarely a "very large beam" from the "metal" category. The tips of these beams can be capped off with "pillar beam connection"s from the "underhang" category.

The wall's materials are broken up into two segments. Certain areas having large chunks of "random machines" fitted with pipes. The tunnels through the machines using "crawlspace" tiles on top of them. Other tunnels outside of the machines use "crawlhole" tiles. The upper sections are dotted with "Asian sign" tiles. Usually mixed between dense pipes or scaffolding. These can be used to break up the color of the palette and make your walls seem less uniform. Huge chains are used as props to beak up the background itself. These are anchored to beams and the Wall's side by small blocks of "random machine" material.

Plant life along the wall is very scarce. Mostly being various grasses and hanging roots. The rubble effect is also used here to create a more varied ground. However, using piles of large trash or dirt can also work to break up the straight lines that the cooling rods and domes create. Grasses often grow out of these. Food is also rare on the wall. Very few segments having hanging fruits. Slime and BlackGoo effects as always help to break up the more straight and dull segments of bare materials. The underside of cooling rods are slimier then the tops. Hanging chains can also be used to help break up the background. Just be sure none of the chains connect off the edge of the screen!

Finally. The "AboveCloudsView" room setting in the dev tools is used to draw the giant sea of clouds view near the upper half of the wall. This however, requires your room to be at a certain height above 0 in the Map Tab's "canon view." An easy method to configure this is to simply drag the first room you want this effect to appear in upwards on the map. Save, and reload the room by dying. If the effect is not far enough up the wall yet, keep going. If it is too far, move it back down until you are happy with its elevation, and then build your map off of this room's elevation.

The default palette of the wall is 19, with a very slight fade to 29. EffectA is 8 and effectB is 7. A heavy fog, a light bloom, wind sounds with the wall's own unique humming sound effects complete most of the region's ambience. Don't be afraid to explore some stranger twists to the region's structure however!

`Arena`

Arena is a game mode featuring two sub-modes: Sandbox and Competitive. These game modes are available from the main menu, and allow for local multiplayer with up to four players fighting and eating in a variety of Arena maps. Most creatures, objects, and maps of these modes are initially unavailable and must be unlocked by finding collectibles spread across the Single Player mode.

`Contents`

`Sandbox [ edit | edit source ]`

Sandbox mode allows the players freedom in crafting their own arena experience, with a readily accessible arena editing feature and customizable objectives. The menu screen of Sandbox allows for detailed control of the arena rules, such as settings for the rain timer (ranging from 30 seconds to 10 minutes, or forever) and the end-conditions of a given round: playing until a desired score, playing until the rains come, or no restriction.

In-game, players are allowed to switch freely between a spawn editing mode and live play. The locations of creatures, food items, weapons, and even player spawns can be controlled in the editor. Slugcats can only spawn at tunnels, and will spawn randomly if one is not selected. In the bottom right of the editing interface is the option to randomize creature spawns, switch between preset spawn configurations, and to initiate live play. Switching between live play and the editor is also possible via the pause menu.

`Competitive [ edit | edit source ]`

Competitive mode encourages quick hop-in hop-out sessions where players compete towards objectives including food consumed, time survived, and creatures slain. Competitive mode is setup for the creation of round playlists, wherein several maps can be played sequentially without interruption. A second slider near the map selector allows for customization of that playlist, with the option of randomizing all maps chosen.

A checkbox to the right determines the number of times each map in the playlist will be visited. Above that slider are check-boxes to control the ability for players to spear each other and the aggressiveness of AI. Even the length and pacing of a round can be controlled, with duration of cycles able to be set from 30 seconds to 10 minutes and the quantity of creatures ranging from non-existent to overwhelming in quantity.

`Unlockables [ edit | edit source ]`

In single player mode, throughout the map are unlock tokens which make certain maps and creatures available in Arena mode once obtained. Unlocks are shared between both Sandbox and Competitive. There are 34 playable maps, of which Amphitheater, Frame, Levels, Platforms and Warehouse are always available. There are also 59 objects and creatures available, of which the Slugcat (used to set player spawn points), Green Lizard, Pink Lizard, Batfly, rubbish and spear are unlocked by default.

`Карма`

`Содержание`

`Врата кармы`

Все врата кармы имеют определённые требования к уровню, часто отдельные для обоих направлений (отображаются как голограммы знаков кармы). Пересечь ворота можно, только имея сходный или более высокий уровень. Как правило, чем выше требование для пересечения врат, тем выше сложность лежащего за ними региона. Для Монаха врата открываются навсегда после первого пересечения.

`Запас кармы`

Промежуточный запас кармы

В начале игры максимальный запас составляет 5 уровней. Получение 10 уровня кармы является необходимым условием для прохождения игры.

Посещение камеры Пяти Галек при игре за Монаха и Выжившего поднимает максимальный уровень до 10; для Охотника Пять Галек функционирует в плане кармы идентично отголоску.

`Значение символов`

Символы, которыми обозначаются уровни кармы, являются частью алфавита, используемого древними и итераторами. Этими символами жёлтый наблюдатель отмечает опасности и пищу для слизнекота. Исходя этого, а также из граффити и иллюстраций переходов можно сделать вывод о том, что примерное значение символов кармы таково:

`New Horizons alt`

New Horizons alt — это модификация, добавляющая изменённые версии вырезанных Новых Горизонтов, сделанная solo race и Harvie Sorroway. Хотя некоторые регионы были убраны, но также были добавлены новые секреты.

Различия альтернативной версии, от оригинальных (старых) Новых Горизонтов:

`Новые регионы`

Модификация добавляет 6 новых регионов:

OO — регион, напоминающий пещеры в глубинах, не имеет названия, скрыт на внутриигровой карте.

Схема соединений с указанным на ней регионом:

`Rain world map`

So what is 'Rain World'?

Rain World is a 'survival platformer set in an abandoned industrial environment ravaged by a shattered ecosystem'. And it is awesome.

If you love procedural animation, randomised gameplay, and relying on your instincts to survive in a rugged and hostile environment, Rain World is the game for you. Plus, it has a cute protagonist!

The game devs are James Primate and Joar Jakobsson

Build your own map

FAIR WARNING This code is under extremely active development and will probably be re-written several times. Don't expect anything you do now to work for very long.

The following dependencies are required on Python 2 (tested v2.7.9). Several sub-dependencies are required, notably numpy.

This build was tested on Windows 7. Most packages can be installed with pip install ; where necessary, Windows installation binaries were used from [http://www.lfd.uci.edu/

zoomify.py is used for images that are too large to be viewed under normal conditions. It takes images generated by generate.py and produces tiles and associated meta-data in the required directory structure for Zoomify compatibility (output is the zoomify_tiles directory).

The assets directory stores screenshots and other files used during map creation.

`Swamplands`

`Содержание`

`Описание`

Регион представляет из себя своеобразного "франкенштейна" (т.е. комнаты похожи на комнаты из оригинальной игры). Имеет одну кастомную арену, одну заставу и два склада мусорщиков. Также можно обнаружить относительно много кармацветов. Имеет три рабочих убежища, одно затоплено для всех слизнекотов.

Условно регион можно поделить на три части из которых:

Основная имеет разнообразные храмовые структуры с большим количеством влажной растительности без разветвлений, основными обитателями которой являются мусорщики, пиявки и ящеры. Ближе к концу данной части можно наткнуться на заставу мусорщиков. После прохождения заставы игрок попадёт в руины врат кармы, а позже к разлому в земле, который ведёт в подрегион и западную часть основного региона

Западная часть по структуре напоминает Небесные острова с конструкциями Дымохода: в ней можно встретить стервятников, сколокрылок, лапшемух. В правой части будет тупик с попкорновыми деревьями и кармоцветом. Имеет разветвление, ведущее в убежище и подрегион.

Восточная же часть имеет башенную структуру. Ящеры являются основными обитателями данной конструкции. На верхушке мусорщики расположили свой склад, который частенько навещают. Имеет одно убежище и единственную комнату во всём регионе с летучими мышами.

`Подрегионы`

`Dropwig`

Damage Multipliers

Dropwigs are fast-moving, insectoid ambush predators that stalk the enclosures of Rain World. These creatures are very skilled at hiding in plain sight, and while fragile they are adept at quickly taking down their prey.

`Contents`

`Appearance [ ]`

A Dropwig crawling to ambush location.

As their name suggests, Dropwigs resemble large earwigs. They have a black or dark brown coloration, offset with slightly reflective purple stripes.

When lying in ambush, the Dropwig will dim its purple stripes to be less noticeable. Upon first glance they will appear like shadowy stalactites; upon closer inspection they have a symmetrical and menacing profile like a downward-reaching claw. Like most insects, two antennae crown the top of their small head, occasionally twitching whenever they sense the presence of another creature.

`Attack Behavior [ ]`

A Dropwig waiting in ambush.

Dropwigs are ambush predators, they attack by attaching themselves to a ceiling and waiting in ambush until an unsuspecting victim walks underneath them. At this point the dropwig falls onto its prey, catching it with its large pincers. Just before it pounces, it will jerk its legs wide open in preparation to strike, giving a hint as to where they are hiding if they previously were not visible. They are quite intelligent creatures, often times placing an item they find (any item but mostly food like blue fruit) beneath their perch to lure prey into pouncing range. The drop attack is somewhat dangerous but avoidable with good reflexes. After the drop attack, it will proceed to spend roughly 10 seconds chasing the player, and pouncing from the ground when within range, if a single bite from the dropwig lands, the prey will die irretrievably. After this time it will begin looking for another place to drop from. Alternatively, if one throws a spear at a Dropwig perched on the ceiling, it will drop down instantly, allowing the player to jump down after it and spear it while it recovers from landing. Dropwigs are supposed to keep you always on your toes and never quite able to relax, as every room could be a potential danger.

Even on the ground Dropwigs are not to be trifled with, as they can perform an agile leap, similar to a Big Spider. Spears are key to defeating a mobile Dropwig, because they leave themselves open for a moment right after they land.

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